Page 51 - Studio International - May 1965
P. 51

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         3                                                                          bursaries  for  foreign  travel.  These  awards  and  indeed
         Diana Guest
         Bull                                                                       the  exhibition  entitled  'The  New  Generation:  1965'
         Marble                                                                     represent the follow-up to the painting show held last
         O'Hana  Gallery
                                                                                    year  under  the  sponsorship  of  the  Peter  Stuyvesant
         4                                                                          Foundation. These six artists who won the awards had
         Derek  Carruthers
         Four through steel tunnel  1964                                            also  each  a  work purchased by the  Foundation for its
         Steel  & Wood  painted                                                     permanent  collection  and  loan  to  public  galleries.
         30  in.  high
         Onan  Galleries                                                             Sculpture  one  should  say  at  once  is  the  elastic  term
                                                                                    used to describe objects constructed or assembled and
                                                                                    which  can  be  displayed  free  standing  and  occupying
                                                                                    independent space on the floor.  But there the similarity
                                                                                    with  the  art  of  Praxiteles  ends  and  an  affinity  with
                                                                                    something  else  begins.  For  the  first  visual  impact  of
                                                                                    the  exhibits  is  that  their  colouring  in  assertive  brash
                                                                                    brightness  destroys  whatever  three-dimensional  form
                                                                                    they  have  to  shape  an  area  that  becomes  viewed

































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                                 Piper. Ceri Richards.  Cecil  Stephenson.  John Tunnard.   against  the  wall  as  the  flat  surface  of  a  conventional
                                 and Ashley  Havinden  and  Victor  Reinganum.      painting  might.  David  Annesley  paints  his  steel  strips
                                  The  exhibition  was  timely  and  must  have  given  a   curved  or  flat  like  enlargement  of  campaign  medal
                                 nostalgic  pleasure  to  Sir  Herbert  Read who  called  the   ribbons.  His  constructions  show  the  ever-present
                                 group  'A  Nest  of  Gentle Artists·.  All  of  them  it is  sure   influence  among  younger  sculptors  of  Anthony  Caro
                                 must  have  been  happy  to  assist  in  the  tribute  to  him   though  his forms have a closer concentration.
                                 for  no  other  writer  has  done  more  for  the  cause  of   Michael  Bolus  also  shows  the  Caro  touch  but  his
                                 vanguard art in  Britain  than  this  gentle  poet.   curvilinear  patterns  in  painted  aluminium  sheet  have
                                  A  group  exhibition  of  a  different  character  was  on   cleanly economical outlines that almost seem to tempt
                                 view  at  the  Whitechapel  Gallery  where  its  director,   the wind to destroy them.  Philip King is the best-known
                                 Bryan  Robertson.  selected  an  anthological  nine   of the  nine  and  his cut-out  tent  form  that  he  likes  so
                                 sculptors·  work  for  participation  in  a  competition  for   much,  with  an  elaborate  'head  dress',  aptly  titled
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