Page 23 - Studio International - September 1965
P. 23

The  Museum  of  the  20th  Century  in  Vienna





                                   conservative  programmes  of  established  concert  halls   Museum  publications  has  attracted  wide  recognition
                                   is largely avoided. The ISNM  (International Society  for   both  at home and abroad.  It is to be hoped that these
                                   New  Music)  and the  Musikalische  Jugend  (Jeunesse   efforts will gradually contribute to  the improvement of
                                   Musicale)  usually  act  as  co-organisers.  Although  the   graphic art and to the taste  of those who commission
                                   concerts  are  deliberately  intended  to  appeal  to  a   the work.  The fact that a jury of the city of Vienna has
                                   limited  audience  unafraid  of  experimental  works,  they   already  twice  chosen  the  Museum's  posters  as  being
                                   are  generally  well  received.  The  same  applies  to   among the three best posters of the  year,  is proof that
                                   Dancing.  The  most  impressive  demonstration  in  this   this is a justified hope.
                                   field  was  a  performance  by  the  Merce  Cunningham   What then are the plans for the future? To begin with,
                                   Dance  Group  in  the  Exhibition  Hall.  At  the  present   a transition from the one-man show to the presentation
                                   moment the possibility is being considered of combin­  of specific periods,  tendencies or thematic trends  (such
                                   ing  dance  programmes  and  open  air  sculptures.   as  for  instance  'Idols  and  Demons',  1963);  secondly,
                                   Special attention is given to the graphic presentation of   a  systematic  confrontation  of  painting,  sculpture  and
                                   all these events. Ever since the Gallery opened, George   architecture.  With  this  in  view,  one  would  first  and
                                   Schmid  has  designed  the  posters,  catalogues  and   foremost need to tackle the expansion  of  architectural
                                   announcements.  (The  designs  of  the  posters  and  the   documentation.  A  visual  demonstration  of  some
                                   catalogue  covers  are  always  identical.)  The  typo­  exempla  classica  could  eventually  have  a  positive
                                   graphical  uniformity  and  convincing  appeal  of  these   effect  on  present-day  architecture  in  Vienna.   ■

           This article  was translated from
           the_ German by Ilse Schrier





























































           Andreas  Urteil
           Sculptures in the exhibition
           Dec. 1963/Jan. 1964
                                                                                                                                    97
   18   19   20   21   22   23   24   25   26   27   28