Page 26 - Studio International - December1996
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put him up in Hertfordshire but he refused to move until   lived in Park Avenue at a point where there is, I under-
                               later he wrote to us in Cornwall that he'd 'felt an urge  stand, a single tree every two or three hundred yards—
                               to move'. This 'urge' proved to be a large unexploded   Mondrian looked out of the window and then turned to
                               bomb close to his studio, and he moved to a Hampstead   Gallatin and remarked 'I'd no idea that you lived in a
                               hotel. Quite soon after this he left for New York. One day   rural district'.  	                 q
                               he brought us a present of a recent painting, a most                                   Ben Nicholson
                               generous gift, and as it was near tea time we asked him to
                               have tea with us, and with our triplets then aged about   I had no so-called intimate relations with Mondrian.
                               four, and to their amazement he proceeded to eat his jam   We were friends in the abstract sense. He used to come to
                               off the end of his knife, obviously a tremendous event in   us often for lunch, however. Our relationship was not
                               their lives. As we walked away he remarked that all small   really very different from when I knew him in Paris,
                               children are barbarians. I must say that during tea this  from 1926 or 1927 onwards, and used to visit him in his
                               particular bunch were so angelic as to be unbelievable: if  studio. My brother Antoine knew him well. We were
                               only he could have seen them when they were at their   both committed to an idea, and Mondrian used to
                               barbaric best or heard their remarks on his barbaric  defend his own philosophy— neo-plasticism—very strongly.
                               knife. When reading notes on Mondrian I have not yet   His Paris studio was a Mondrian in space. White, with
                               seen any mention of his humour— there were a number of  geometrical shapes of colour on the wall. The furniture
                               examples of this in London but one of the more typical   was just straight up and down: he made it himself. We
                               examples occurred when he arrived in New York and  used to have tea in exquisite white cups: they too went
                               visited the enlightened collector A. E. Gallatin, who  straight up and down.
                               collected early Cubism, Brancusi and Mondrian. He    I remember when he was in the Mall. Always his idea
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