Page 20 - Studio International - February 1966
P. 20

well as a formal one ?                             unlike in a sense the humour of Chagall, but it's much
                              Forge In certain passages, yes. With the larger pictures   more firmly integrated in a non-fantasy world, and this
                             this is even more so. I think it's particularly strong in   seems to give it considerable added value. It belongs
                             some of the great reclining nudes in baths. There are   there the whole time, it belongs there with sex and
                             some passages which are clearly very meaningful in the   with eating.
                             overall configuration of colour and in the forms of the   Forge  Yes, and there's that picture of the bathroom
                              picture. Yet I can't give names to them. And I have to   with the girl's legs shooting out from the bottom of the
                              keep turning them into something. And if I don't look   canvas. It's very difficult to suppress the fantasy that
                             out suddenly they slip away and become nothing again,   somehow she is making the drawing-is in fact painting
                             and I have to turn them back into the side of the bath   the picture.
                             or whatever it is.                                 Sylvester Yes, because there's a very curious thing in
                              Podro  What I've felt in front of Bonnard I've never   that picture, which is that Bonnard put himself in ; over
                             felt in front of any other visual artist, and that is-the   on the left you just see the edge of his dressing-gown
                              man was being funny the whole time. Even when it was
                              a girl taking her clothes off. And to sustain simul-
                              taneously this dryness, this incipient humour, in this
                              way, seems a crucial part of the procedure.
                               There is one picture of a girl set against the daylight
                              streaming in. You're looking at her over her shoulder
                              and she's looking at herself in the mirror. Suddenly,
      Right
     Nude in bath tub 1925    I looked at her reflection in the mirror with a very
      Pencil 4 7/8 x 6 3/8 in.   awkward sense of recognition, because unlikely
      Lent by a private collector
                              though it seems from looking at the girl, the reflection
      Below
     Nu dans le Bain 1935     in the mirror is part of the torso of the Dying Slave  of
      Canvas 36 5/8 x 57 3/4 in.   Michaelangelo. Later he will have a very large cow
      Signed
      Lent by the Petit Calais, Paris   which appears beside the head of the small boy. It's not
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