Page 47 - Studio International - February 1967

Detail of one aspect of
Coordination 1965-6,
by Agam, metapolymorphic
painting, oil on corrugated
aluminium

Rouge Raffiné 1962 by Agam,
tactile painting, copper
elements on springs mounted
on wood—the circular discs
vibrate when touched, so
that the image is always in
the process of dissolving
and crystallizing