Page 65 - Studio International - July August 1968
P. 65

16  Five girl panels 1964, enamel on canvas 76 x 127   Germany                    18  53/1 1966, acrylic, 71 x 51 in. by Lothar Quinte
             in., by Michael Snow in 'Canada 101' at Edinburgh   17  Sculpture by Sarda in a one-man show until July   in a mixed show of the artists of the gallery at
             International Festival from August 18 to September   25 at Gmurzynska, 74-76 Mauritiussteinweg,   Muller, Hohenheimerstrasse 7, Stuttgart until
             7. Sponsored by the Canada Council.      Cologne. (Price range: DM 3,000-10,000)    August 2.
                                                                                               Sweden
                                                                                               19  Composition with blue and yellow  1933 by
                                                                                               Piet Mondrian (1872-1944) at Moderna Museet, S.
                                                                                               Blaisieholmshammen 16, Stockholm until August 18.
                                                                                               The show is of a private collection of Swedish and
                                                                                               International modern art. Piet Mondrian was born in
                                                                                               Holland and lived in Paris, London, Holland and New
                                                                                               York between 1911 and 1940. He was a member of
                                                                                               De Stijl, a movement concerned primarily with pro-
                                                                                               blems of space and colour, Mondrian developed a
                                                                                               peculiarly rigorous form of abstraction, which he
                                                                                               called Neo-Plasticism, restricting his forms to geo-
                                                                                               metric shapes set at right-angles and coloured in
                                                                                               three primary colours and white, black or grey.
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