Page 66 - Studio International - January 1969
P. 66

U.S.A. 16  Akari, 1968, silk and paper, by   17  Untitled, 1967, silver grey elastic cord,   18  Gerty with mask and wineglass, 1909-10,
      Isamu Noguchi, from his exhibition 'Shapes   67½ in. high, by Fred Sandback, from an   lithograph on yellow paper, by Ernst
      of Light' at Cordier & Ekstrom, New York,   exhibition of his sculpture at Dwan Gallery,   Ludwig Kirchner, from a major
      until January 4. Noguchi says in a statement   New York, from January 4 until January 29.    retrospective exhibition of his work at
      `... To me they (lanterns) were always                                              Seattle Art Museum until January 5. The
      beyond commercial or industrial design—a                                            exhibition, consisting of 147 works
      medium of art. My constant concern with                                             including oil paintings, watercolours, pastels,
      the further development of Akari has grown                                          drawings, prints, an illustrated book and
      out of this fascination and out of wanting                                          two sculptures, has been assembled from
      to foil my many imitators, through                                                  about seventy-five major museums and
      innovation, to reach a point where they                                             private collections in Europe and the United
      could no longer follow. But to achieve this                                         States. It will be seen subsequently at the
      meant that one had to sell them, and the                                            Pasadena Art Museum and the Museum of
      economy of manufacture is based on
      standardization ... It is these restrictions
      that have finally persuaded me to
      reintroduce Akari, through an exhibition at
      my gallery, Cordier & Ekstrom, as valid
      expressions of sculpture— no longer an
      extravagant claim to make for a bit of paper,
      air and light. . . .'
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