Page 35 - Studio International - October 1969
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2a Detail from `Sun-god Tablet', with a scene   No. 26687; Painted wooden horse with wheels (the   5a British Museum, Burney 108, folio 42 V.
          representing Nabu-apal-iddina, king of Babylon,   string is original) from Oxyrhynchus. Roman period,   A sixteenth-century ms. of Hero's Pneumatics. The
          about 870 B.C. worshipping in the shrine of the   C.  A.D. 200. No. 38142; Two clay birds mounted on   owl and birds automaton is an example of Hero's
          Sun-god in the city of Sippar. Stone, 7 in. wide,   a spindle. Roman period ( ?) after 30 B.C.  No.   use of mechanical and fluid principles in one
          111 in. high, thickness 2 in. in centre, tapering to   26544-5; Ivory figure of a dwarf. Middle Kingdom   work. The birds do not sing when the owl faces
          1⅝  in. at ends. The tablet was found in 1881.   c. 2,000 B.C.  No. 58409; Height approx. 	in.;   them; when it turns away, they sing again.
          British Museum No. 91,000.                Wooden bird's head. Date and provenance uncertain.   This can be repeated many times. As water fills an
          This is one of the most profound images achieved   No. 37477; Toy consisting of a bound prostrate man   airtight container, the escaping air causes birds
          by man. By adoring, focusing, imprisoning—thought   being worried by a hound, wood. New Kingdom ( ?).   to sing. When the container is emptied via a
          —man starts the journey to the stars. This image is   c. 1200 B.C.  No. 26254; Toy cat with inlaid eyes of   siphon, their song ceases. The left-and-right
          based on an earlier one, and before that, men sought   glass, movable jaw fitted with bronze teeth, wood.   motion of the column supporting the owl is
          to merge with, and influence, the course of planets.   New Kingdom ( ?) c. 1000 B.C. No. 15671; Figure   determined by the discharge of water, and a
          The three symbols below the arch are the moon, sun   of a roaring lion, steatite. New Kingdom.   weighted cord.
          and Venus.                                c. 1200 B.c. No. 36117.                   5b The same subject. From Schmidt, Book 1: XVI.
          (This is the earliest representation having links with   The dog (No. 26254) can still be moved up and
          the subject of puppeteers that I have come across.   down, hinged on its wooden peg. A hole in the   6a British Museum, Burney 108, folio 80 R.
          It may usefully be compared with what is possibly   back of No. 36117 passes through the body to the   The Miliarium is a kind of bath oven or
          the earliest European related subject, the two figures   mouth, and in this way the tongue was   samovar, possibly for table use. Activated by steam
          manipulating cords and toys or puppets from a   probably activated.                 pressure, a figure blows on to charcoal contained in
          twelf-century ms. Note the repetition of a table in   3b Toy cat with inlaid eyes of glass, movable   tubes in the central column—thus speeding
          each work. In Max von Boehn. Dolls and Puppets.   jaw fitted with bronze teeth, wood. New Kingdom ( ?)   up the heating of the water. The open tap in the
          London, 1932. P. 288.)                    c.  1000 B.C. British Museum No. 15671.   top of the device will not release very hot water
          2b A photograph showing the edge of the moon (1)   3c Three ivory figures in the Cairo Museum.   until cold water is added to the warm water in the
          and earth (2) taken by the Russian automatic   Egypt, Middle Kingdom, c. 2000 B.c. From Lansing.   base. Through the deployment of steam, water, and
          station Zond-Six flying at a distance of 3,300   These dancing figures were manipulated on   pipes, a bird and triton produce thrush-twitter and
          kilometers from the edge of the moon, and 388,000   their axis by means of strings arranged in the ivory   trumpet sounds.
          kilometers from earth. Picture released on 30 Novem-  base. Comparing the British Museum figure of a
          ber 1968.                                 dwarf (illustration 3a)  with the Cairo Museum   6b The same subject. From Schmidt, Book 2: XXXV.
          2c MOON . . . TRANQUILITY BASE . . . THE EAGLE   pieces, one notes the absence of a hole   This and the related work (Schmidt, Book 2:
          HAS LANDED. July 1969. This is the symbol of man's   for the string in its base. Maybe this was never   XXX I V), are magnificent examples of principles
          first landing on the moon. Worn by the U.S. team   meant to be in motion.           embodied in Alexandrian automata, which only
          of three men.                                                                       loth century science, technology, and kinetic art
          2d 'First Man on the Moon' is the inscription across   4a, b, c These illustrations from the works of Philo   have caught up with.
          the bottom of this American commemorative   convincingly demonstrate the advanced state
          stamp issued in September 1969. It was designed by   of Alexandrian automata before Hero. They are   7 An automaton from the works of the Benū  Mūsā
          Paul Calle.                               reconstructions by Carra de Vaux based on   c. A.D. 840. 'The figure of a bull which drinks from a
                                                    two Arabic and one Latin mss. From Le Livre des   filled basin when it is placed before it, and
          3a Egypt: mechanical direction. Objects representing   appareils pneumatiques et de machines   simultaneously emits a sound as if it is thirsty.'
          Egyptian mechanical figures in the British Museum.   hydrauliques par Philon de Byzance. In Notices et   Hauser, plate IV, figure 6.
          From the rear left: Painted wooden horse with   Extraits des Manuscripts de la Bibliothèque
          wheels, from Akhimin. Roman period, c. A.D.  200.   Nationale. Paris, 1903. Vol. 38.    8a Wiedemann and Hauser base their translation of
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