Page 34 - Studio International - July August 1973
P. 34

Ain't Freedom Grand 1971. Screenprint, 20 x 28 in.
                                                                                            The title to this screenprint comes from a poem by
                                                                                            e. e. cummings on war memorials. The couple in the
                                                                                            foreground were originally photographed in front of a
                                                                                            war memorial in Vienna, but the monument in the
                                                                                            print has been substituted by a monument made
                                                                                            from children's building blocks. The combination of
                                                                                            the disparate with a simple literary connection
                                                                                            provides its cool tension. The print is a collage of the
                                                                                            two elements.































                                                                                            Furnished Accommodation 1969. Acrylic on canvas,
                                                                                            64 x 62 in.
                                                                                            This painting illustrates the quality of light on a
                                                                                            familiar object normally considered ugly. Living
                                                                                            with furniture and wallpapers in furnished
                                                                                            accommodation can be a nightmare, yet to the artist
                                                                                            this object represented the oppressive image of an
                                                                                            altar with a strong sculptural life of its own.

                                                                                            Down at First Street Bridge 1971. Gouache,
                                                                                            22 X 3o in.
                                                                                            The image of the artist has been used twice, with a
                                                                                            child and a salmon, against a Giotto landscape from
                                                                                            which the original figures have been removed, to be
                                                                                            substituted by modern images in contemporary
                                                                                            clothing. This painting was designed for a
                                                                                            screenprint, in an edition of 75.








                                                                                            [ROBERT YOUNG'S NEXT ONE-MAN SHOW IS AT
                                                                                            THE REDFERN GALLERY IN DECEMBER, 1973.]

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