Page 65 - Studio International - September 1973

GALLERY Geffrye Museum, Kingsland Rd,
E2. 739-8368. French Decorative
Art of the Twenties. From 15
GUIDE September.
Gimpel Fils, 30 Davies St, W1.
493-2488. Horst Antes : New
LONDON Paintings. 4-30 September.
Angela Flowers, 3 and 4 Portland Gallery 273, Queen Mary College,
Mews, D'Arblay St, W1.734-0240. Mile End Rd, E1.980-4811. Group of
Carole Hodgson. Sculpture and Danish artists, members of the
Pencil Drawings, which spring Gewind Group, established in 1971.
directly from her experience of 15 August-21 September
landscape and natural forms. Grabowski, 84 Sloane Avenue
21 September-13 October. SW3. 589-0726. Bob Quick.
Annely Juda, 11, Tottenham Enamels on steel plates. 11
Mews, W1. 580-7593. 'The Non- September-6 October.
Objective World', until 22 Grosvenor Gallery, 48/49 South
September. Molton St, W1Y 1 HE. 629-0891.
Camden Arts Centre, Arkwright Always available, Russian 20th
Rd, NW3. 435-2643. 'The Aesthetic Century art, Italian Futurists. Major
John Hilliard Through the Valley 1973
Movement 1860 to 1890'. This art-nouveau works by Mucha,
exhibition is planned to reveal and World Agents for Erté.
Moholy-Nagy and Lissitzky but little photograph, each bearing a different display the 'domestic nature of this Hester Van Royen, 152a Walton
development has taken place beyond caption. The photographs in the period of English art and design, with St, SW3. 589-0726. Lowell
their original gestures. The questions vertical series change, with the particular emphasis on the influence Nesbitt : Ten Lithographs 'Tulips'
which emerge from photographic caption A Release to the Wind of oriental and Japanese design in executed in 1971 concurrently with
abstraction have been by-passed in remaining constant. The four works the second half of the century. Series Nesbitt's exhibition of Flower
recent conceptual work by a reversal in Through the Valley each of room settings, paintings, drawings Paintings at Gimpel Fils (October '73),
of the relative importance of content represent a constant image of a man and books. 15 August-7 October. 25 September-27 October.
and structure. The image is walking. Below is a second Covent Garden Gallery, Floral Hall. Hayward Gallery, South Bank SE1.
immaterial and preferably self- photograph extended to the right, Covent Garden, WC2. 240-1356. Pioneers of Modern Sculpture'.
referential to the all-important revealing respectively, a soldier, a Lui Shou Kwan. Abstract Over 200 sculptures brought
structure. photographer, a dog and a hand expressionist paintings with Zen together from European and
pointing a gun. influence. Lui Shou Kwan lives and American sources. Supported by
Two areas where the honesty of the works in Hong Kong. Was awarded documentary photographs. Until 23
camera is questioned are one, the The immediacy of the work sustains the M BE in 1971 for his services to September.
colour reproduction of paintings, the simplicity of all valid comments, art as painter, critic and teacher. ICA (Institute of Contemporary
and two, the editing of images in but the immediacy also demands a 4-28 September. Arts) 12, Carlton House Terrace,
political journalism. These two visual response to the work which Commonwealth Institute, 839-5344. Exhibition of
points set the context for John relegates the conceptual content. Kensington High St, W8.602-3262. Contemporary Austrian art which
Hilliard's recent exhibition at the The colour photographs, in this Noel Counihan. A retrospective comes from the Edinburgh Festival.
Lisson Gallery. The work has evolved sense, bring the association with exhibition of paintings and drawings 12-30 September.
from the use of photography as colour charts in Duchamp's T'um, by this Australian artist. 11 September Jordan Gallery, Camden Lock,
documentation to an analysis of the Rauschenburg's Rebus and Dine's -7 October. Commercial Place, NW1. 267-2437.
demands and possibilities of the Four Pictures of Picabia. In Drian, 5/7 Porchester Place, W2. Paul Riley. Object Maker. 18
medium. The work examines the way Through the Valley the images 723-9473. Maud Sumner. Paints in September-7 October.
in which ostensibly the 'same' assert a non-intentional narrative abstract form, images of silence and Lucy Milton, 125 Notting Hill Gate,
photograph can appear very function. These two comments make desert. 5-21 September. John W11.229-3311. Ad Dekkers. White
differently to the eye and the mind, points which are irrelevant to Bellany. 3rd one-man show at the Wall reliefs and sculpture.
through the manipulation of the Hilliard's working process and that Drian. 25 September-12 October. 4 September-2 October.
photographer and his camera. This of his contemporaries. They do DM Gallery, 72 Fulham Rd, SW3. Marlborough Fine Art, 6
can occur in two different ways, however exist in the visual 589-8208. Hugh O'Donnell, Robert Albemarle St, W1.629-5161.
mechanical and chemical variations information the artists present. The Radcliffe and John Rodgers. A group Contemporary Spanish Realists:
or content and psychological familiarity of the photograph has of young artists exhibiting in London Arguello, Avia, Bravo, Hernandez,
changes. The former category was bred a contempt for its primary for the first time. 5-29 September. Laffon, Lopez, López-Garcia, Moreno
represented by two works which function, which is representation. Electrum, 21 S. Molton St, W1. Quintero. 19 September-20 October.
explore the properties of various Concentration by the artist upon the 629-6325. 'Jewellery and The Marlborough Fine Art, 39, Old
brands of reversal and negative conceptual abstraction of the Human Form'. An exhibition by Bond St W1X 4BY. Tom Phillips.
colour film. Each brand of film was structure does not mean that the Eberhard Burgel, Bruno Martinazzi, New works. 50 small paintings
used to photograph an area of white visual paradigms of recognition Rienhold Rieling, Hubertus von Skal, executed over the past two years.
wall with a small shelf, on which disappear. In this sense the self- of jewellery which has aspects of 14 September-20 October.
rested the relevant box of film. The referential work, which uses as an the human form incorporated in their Marjorie Parr, 285 Kings Rd, SW3.
colour of the images ranged from image the mechanics of photography, shape. 19 September-20 October. 352-0768. Aart van Kruiselbergen.
yellow and pink to grey and magenta. is more exacting, through the Fieldborne Galleries, 63 Queens Recent Paintings. September.
Distortions which were emphasized limitation of the possible associations. Grove, St John's Wood, NW8 6ER. Mayor, 14 South Molton St, W1.
by the clinical white of the gallery. 586-3600. Horace Brodsky, 493-8778. Denis Oppenheim. Last
Content and psychological variations LYNDA MORRIS Memorial Exhibition to this half of September.
appear in the two other works, A distinguished contemporary of Motif Editions, 58 Frith St, W1.
Release to the Wind and Through Gaudier- Brzeska. During September. 734-0484. 'An American in
the Valley. As Hilliard explained, the Felicity Samuel, 16 Savile Row, Clapham Junction'. Realist paintings
reading of a photograph is directed W1.734-8557. Joe Goode, pastel by Lars Hokinson. 12 September-19
by the position given to it within a drawings. (Designed the September October.
series and by support information '72 cover of Studio International). National Book League,
such as a descriptive text or a 3 September-5 October. 7, Albemarle St, W1.493-9001.
caption. The meaning of an image Fischer Fine Art, 30 King St, SW1. Exhibition of books published in the
can be affected by the addition, or 839-3942. Hernandez Pijuan, young 1890's. Over 1,000 items. Sketches by
subtraction, of adjacent parts of the Spanish artist, paintings, graphics, Beardsley, magazines, including
photograph. In Release to the Wind, and drawings. Sylvia Quandt, young copies of 'The Yellow Book'. 4-21
two series of photographs are German artist, paintings and graphics; September.
connected by a common image. The both first London exhibitions. New Art Centre, 41 Sloane St,
horizontal series repeat the same 21 August-15 September. SW1. 235-5844. Frisoten Holt and

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