Page 68 - Studio International - March 1974
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such looseness of thought. Indeed, for anyone   translated more or less precisely into another   of knowledge and experience', which would be
     not up in the 'literature' it is essential reading   language, a repertoire of terms and   much more rewarding.
     before tackling the Science Research Council's   prescriptions for their uses, or even a language   One other point arises from these books,
     `Artificial Intelligence' to which five eminent   has at least one native speaker who   the ideological aspects of science as a mask to
     scientists have contributed. The problem that   consequently doesn't make mistakes.   obscure the relations to production, to the
     emerges (apart from any justification of    One is grateful, therefore, to Professor   economic base. For this reason Rose's and
     Professor Lighthill's categories, the ABC of   Longuet Higgins in the Science Research   Campbell's sturdy refusal of the mind-matter
     Artificial Intelligence where A is advanced   Council's paper symposium. He clarifies the   dichotomy is of positive value, even though
     automation, C computer-based studies related   distinctions between technologies and sciences   Professor Ayer's doubts have not yet found an
     to the Central Nervous System, and B 'Bridge   in the field, and, further, the important   answer; and Goodman's, not so subtle at that,
     activity' between the two including 'Building   distinction between what may be learned from   discussion of much so-called avant garde shows
     Robots') is : do we know what intelligence is in   the hardware and what from the software.   that the idiotic gesture is 'co-opted as the
     order to be able to prescribe artificial   Steven Rose seems to miss this point in his   idiotic standard' and becomes, as Marcuse
     intelligence ? Rose makes short work of Jensen   condemnation, a shade too indiscriminate and   pointed out, one of the means whereby
     and even shorter of Eysenck. 'Perhaps what is   wholesale, of what he deliberately   consumer society ensures that all art is
     surprising', he writes, 'is not that computers   outrageously calls the `machinomorphs'. To be   commodity. It is surely not an accident that so
     have done so well in only three generations, but   sure, the pseudo-science of robotics does   much pop art adores the supermarket, and that
     that they have done so poorly, that despite   indeed smack of science fiction and the worst   those who most denounce the commercialism
     intensive research efforts (and large defence   excesses of pop culture, its fascist side, its   of the galleries have set out to exploit the media.
     research grants) machine translation is still so   unidimensionalism. However, to return to
     primitive and unsatisfactory; that machine   Professor Longuet-Higgins, artificial   TONI DEL RENZIO
     literature searching is of little value except to   intelligence 'sets new standards of precision and
     the most routine types of chemical and    detail in the formulation of models of cognitive
     pharmacological research, and has scarcely   processes, these models being open to direct and   Pet themes
     any utility to the creative work of more serious   immediate test'. One is reminded of Charles   Woman as Sex Object: Studies in Erotic Art,
     sciences; that chess and draughts are the extent   Eames, long ago giving the RIBA annual   1730-1970, edited by Thomas B. Hess and
     of a computer's capacity. It has not yet been   discourse in which he described his experience   Linda Nochlin. 257 pp, illustrated in black and
     suggested that a computer could learn to play   as a consultant to the Indian government.   white and colour. Allen Lane, London. £6.00.
     adequate poker.' Perhaps Cybernetic Serendipity   The Indians were in no position to invest in a
     really is the height to which the computer can   massive computer. Eames told them to build a   his impossible to walk through a major art
     rise, and perhaps it deserves this fate worse   mock-up with dials and flashing lights, spewing   gallery without feeling that only the most
     than death.                               out punched tape or what you will, since ninety   extraordinary process of doublethink and
       Dr Campbell's 'The Pleasure Areas' ought to   per cent of solving a problem by computer is in   hypocrisy could have allowed princes and popes
     be of greater interest in the art context than it   the programming and in the analysis of the   to display such oil paintings on their walls. The
     turns out to be. He probes, at times in a very   problem.                           poor man, it seems, may have his dirty
     literal manner, the dark and primitive pleasure-  Further, in the context of recent art experience   postcards, but the rich man has art. The nudes
     seeking folds of the brain, but appears unable   and theorizing, Professor Longuet-Higgins on   gaze out at the implied male spectator with
     to comment meaningfully upon the          cognitive science becomes particularly    inviting and submissive eyes; the figures pose
     devenustate art of the present. However, like   interesting. He refers to the 'general problems'   under a variety of classical or biblical names but
     Rose, he sees mind-matter dualism as, at best,   to be met in the different areas. 'The   the intention is always the same, sexual arousal
     trivial, and, at worst, an impediment to any   mathematician's ability to discover a theorem,   posing under the cultural name of Beauty or
     understanding of how the brain works.     the formulation of a strategy in master chess,   Humanism. Although conservative critics are
       In one way, Paul Goodman might be read as   the interpretation of a visual field as a landscape   still able to see the nude in such terms, most of
     the antithesis of these authors, but this would   with three cows and a cottage, the feat of hearing   us now look for the giveaway symptoms; the
     misrepresent his ideas even more than theirs.   what someone says at a cocktail party and the   pose of the female figure, her expression, the
     And his book serves to call into discourse a   triumph of reading one's aunt's handwriting',   conspicuous lack of body hair which denotes
     theme common to them all, the theme raised   he writes, 'all seem to involve the same general   passivity, and — most shockingly obvious in
     above, language and what we mean by the term.   skill, namely the ability to integrate in a flash a   pictures painted during the period covered by
     It is central to his book. It is central to the major   wide range of knowledge and experience'. He   this book — the nudity of the female figure
     debates taking place in all the arts, and possibly   concludes with a warning that if advanced   juxtaposed with fully dressed males (Manet's
     sciences. The problems have not been solved by   automation is allowed to go its own way, the   Picnic is the most notorious example).
     the use of alternative, more abstract or more   `resulting spin-off' is more likely to inflict   These are the kind of significant details which
     generalized terms, nor, for that matter, by those   multiple injuries on human society'. Yet, of   should be covered in a book of this kind but are,
     we might have thought more rigorous, more   course, every declared policy of the government   for the most part, lacking. Instead we have a
     particular, more quantifiable and therefore   is to stress the purely technological advances   rather odd collection of individual essays by a
     more scientific and objective.            at the expense of general theoretical and   variety of authors apparently airing themselves
       To begin with, we still haven't really managed   necessarily more humane priorities.   on a pet theme without firm editorial guidance
     a foolproof definition, or, to put it another way,   The distinction between the generalizing   or an introductory essay which might have put
     we can manage definitions which are either   theories of cognitive science and the merely   the rest of the contributions in historical
     consistent and exclusive to the point of   technological achievement of advanced     perspective. Nor is there any relationship
     omitting some obvious 'languages', or so   automation, is one that seems to have been   between the importance of the topic to space
     inclusive that they let in examples of what are   ignored by those who have sought to introduce   provided. Thus we have a psycho-analytic study
     obviously not languages. Even in the limited   these ideas into art. Often all that they introduce   of Renoir's male chauvinism which is highly
     case of natural languages 'naturally verbal' is   is the mystification of jargon and a caricature of   pertinent to the understanding of his pictures
     difficult to define, and, in fact, we have to   technology. The fact remains that aesthetics   but disappointingly brief, and an essay entitled
     content ourselves with some unsatisfactory   could well confront the sort of question raised   `The Corset as Erotic Alchemy' which is
     descriptions, like, say, a language is what can be    by 'the ability to integrate in a flash a wide range    tediously long and largely irrelevant, since it is

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