Page 24 - The Studio First Edition - April 1893
P. 24

A New Illustrator

                    of beer, which was cooling in the stream
                                                          Here A NEW ILLUSTRATOR: AUBREY
                    was a woman washing and combing a
                                                                                    BEARDSLEY. BY
                    child's hair ; laughing every now and
                                                                                   JOSEPH PENNELL.
                    again at some remark the child would
                    make. Men came over the hill from                             HAVE lately seen a few
                    work, who, as they approached, saluted                         drawings which seem to
                    the alcade with an old-world reverence.                        me to be very remarkable.
                    Away over in the valley, where the sun                         The very limited number
                    cast long shadows on the hills, now                            which the artist is said to
                    aglow with the red of the sunset, we                           have produced makes their
                    could see young girls dancing to their                         perfection of execution all
                    singing. It was simple and most paint-                         the more remarkable. I
                    able—a page from the life of the place                         am quite well aware that
                    which I wish I could describe in words.                        the mere fact of publicly
                      Here we found a bridge of boats—                             admitting one's interest 'in
                    somewhat uncommon; so we made a                                the work of a new man,
                    sketch of it, coming back hot and tired.                       whose first design may be
                    Flinging the things  in a corner, and looking up,  a delight to artists, is not considered to be good
                    I met the wild eye of Antonio, who promptly  form in criticism. But why should one care about
                    gave me a drink. He always treated me as  good or bad form—or criticism either, for that
                    if I was deaf and dumb, making signs—why, I  matter? For the criticism of art to-day is merely
                    do not know, unless it was that I knew no  the individual expression of persons who mostly
                    Spanish. After working here some time, the crew  know nothing about their subject. Though artists
                    grew restive, and at last broke into open mutiny ;  may be struck with a man's earliest work, and though
                    we made terms, and got out• of it, and at nightfall  the creator of it may, and frequently does, never
                    brought up by a canal guardhouse. The old  produce anything better, one usually waits until he
                    guard seemed very much taken with me, on  is dead, or discouraged, before any visible sign of
                    account of an old peaked cap, with a faded gold  appreciation is granted him. Thus is the intelligent
                    badge, I wore ; he looked long with wonder, till  critic spared from making a spectacle of himself.
                    the cock-eyed Rincon explained it was a sham, and   But whether Mr. Beardsley's work is appreciated
                    that I was not an admiral ; but even to the last he  or despised—and my only fear is that he will suffer
                    could not quite disabuse himself of the idea. He  from over-appreciation and enthusiasm — the
                    invited us into his house, full of Spaniards, smoke,  drawings here printed show decisively the presence
                    and animals. A low bench ran round the large  among us of an artist, of an artist whose work
                    open fireplace; we sat down, and the wine-skin was  is quite as remarkable in its execution as in its
                    passed round as though we were the acquaintances  invention : a very rare combination. It is most
                    of years, not minutes. The wine-skin, be it  interesting to note, too, that though Mr. Beardsley
                    noted, required plenty of replenishing from the  has drawn his motives from every age, and founded
                    barrel in the• corner. To return to Saragossa was  his styles—for it is quite impossible to say what
                    the next move, and in our wanderings there we  his style may be—on all schools, he has not been
                    discovered a hotel where it cost us nine pesetas  carried back into the fifteenth century, or suc-
                    a day, which was about the same charge as that of  cumbed to the limitations of Japan; he has recog-
                    out-of-the-way places. At San Sebastian it came  nised that he is living in the last decade of the
                    to ten or twelve pesetas. We found a garden  nineteenth century, and he has availed himself of
                    belonging to this hotel a pleasant place to work  mechanical reproduction for the publication of his
                    in—full of magnolias, lilies, and roses. Here  drawings, which the Japs and the Germans would
                    M. again found girls to stand for us, and it  have accepted with delight had they but known of
                    was cool and delightful to work here, out of  it. The reproduction of the "Morte d'Arthur"
                    the glare and noise of the town ; but we got  drawing, printed in this number, is one of the most
                    sick of it—why, Heaven only knows. M. pro-  marvellous pieces of mechanical engraving, if not
                    posed going to Jacca, as we had heard a lot  the most marvellous, that I have ever seen, simply
                    about its mysterious surroundings. But our adven-  for this reason : it gives Mr. Beardsley's actual
                    tures on the way there and after must be left-to my  handiwork, and not the interpretation of it by
                    next letter.—Yours, 	 some one else. I know it is the correct thing to
                                           FRANK BRANGWYN.
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