Page 52 - Studio International - April 1965
P. 52

composed, in which there are so many 'points of view'
                                                                                that it seems more like a stone stage-set in the round
                                                                                than a piece of traditional sculpture. From an earlier
                                                                                generation, there are two sculptures by Manolo—a
                                                                                 lightly worked figurine and a large head of the Catalan
                                                                                violinist Francisco Costa.
                                                                                  In trying to plot the course of Catalan art, Abell° has
                                                                                 not neglected the forerunners of the modern school.
                                                                                 Artists, whose names are only just beginning to be
                                                                                 heard above the clamour of the French Impressionists
                                                                                 —men like Mir, Rusinol and Sunyer—have hitherto
                                                                                 been chiefly in the hands of Spanish collectors. Now,
                                                                                 their works crop up in the international sales rooms, and
                                                                                 it looks as if they will shortly be taking their proper
















































                              has made some of the most graceful pottery yet to come   place in the history of European painting. Abell° has
                              out of the West. He recently completed a large com-  carefully chosen examples of such work; and naturally
                              mission for the New York World Fair.               he has (for completion's sake) paintings by the great
                               Sculpture is another aspect of the arts in which   Nonell, the inspiration of Picasso's Blue Period, an
                              Catalonia has long been recognised as an important   artist whose stature few who have not visited the
                              source. A trip to Barcelona's Museo Mares will quickly   Museo de Arte Moderno's Nonell rooms can truly
                              show the authority of the past for such a contention.   recognise.
                              From the eleventh century onwards, the peculiar     Abell° learnt his craft as a painter from Picasso's
                              talents of the region have provided a steady stream of   friend Pruna, so not surprisingly his master is honoured
                              wonderful works. Abell° himself gives pride of place to   in the long list of Catalan artists represented here.
      1                       a 12th century polychrome Virgin and Child, a wooden   Outside the immediate range of Catalan works, the
      Salvador Dali
      Portrait of Juan Abelló   sculpture that is well up to the exacting standards of   collector has not been able to resist 'extra' purchases.
      Pen and Wash            Frederico Mares. But it is in the modern sculpture of   He is very proud of his two small Guardis, but in the
      2
      Picasso                 Catalonia that the Abell° collection is particularly rich.   main the non-Catalan works are of more recent origin.
      Portrait of Juan Abelló   Leaving aside the Roman remains that he has been able  There is a splendid self-portrait of Foujita, dating from
      3
      Clavé                   to salve from local excavation, he has some fine  the time when he was a young man and still counted
      Child Playing  (Clavés own son)
      Drawing                 examples of work by Subirachs, Cubells, Gonzalez,   as a formative force in the emerging School of Paris;
      4                       Saumells, Blasco Ferrer and Pellicer. The Subirachs is a   so different from his newest work which attempts to
      Miro
      Three Personages 1933   complex piece, a kind of arena of activity, wonderfully   bring about a new look in Christian Art. A late Braque
      174
   47   48   49   50   51   52   53   54   55   56   57