Page 65 - Studio International - April 1965
P. 65

least with the stretcher—Larry Zox, who looked best to
                                                                                     me, with Will Insel as runner-up. Not much, beyond the
                                                                                     kind of optical trickery much en vogue  now, can be
                                                                                     done with these formats which add little to the
                                                                                     imaginery.
                                                                                      With 'Start' the Gallery Lefebre offers the work of
                                                                                     seven relatively young and certainly little known
                                                                                     painters from other countries (at least little known here).
                                                                                     The most mature statements have already been
                                                                                     properly acknowledged elsewhere, as in the case of
                                                                                     Antonio Segui, the Argentine painter now well watched
                                                                                     in Paris. Segui's mordant spoof of former Spanish
                                                                                     modes is considerably more sophisticated than the
                                                                                     Mexican Alberto Gironella's. The latter devotes his
                                                                                     considerable painting technique to a commentary on
                                                                                     Velasquez, presumably satirical but slightly marred by
                                                                                     his over elegant technique.
                                                                                      Among the others, I was impressed with the expres-
                                                                                     sionist fantasy of Horst Antes, a young German of
          Antonio Segui                                                              notable talent, and the extension of Dubuffet offered
          La Familia
                                                                                                                                    n
          Gallery Lefebre                                                            by Jan Voss, another young German.
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