Page 24 - Studio International - May 1965

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will not permit the reproduction of his work. for if fine
1 distinctions extend meaning in regard to colour. texture.
Tony Delap
Queen Zozer 1964 shape, scale and so on-all is lost in a photograph.
Aluminium, board. plexiglas. lacquer Craig Kauffman. who works with sprayed translucent
15} X 14.j X 3j in.
Dilexi Gallery paint on boxed plastic sheet, is also an important figure
in the early evolution of many of the subsequent
2
Tony Delap developments in Southern California.
Wyman The Wizard 1964
Aluminium. board. plexiglas. lacquer Billy Al Bengston's sprayed lacquer paintings are
20 X 27 \ X 3 j in. rubbed down by hand imparting a lustrous. sensuous
Dilexi Gallery
and warm surface. He replaces the primordial sign with
3 a banal, secular image-a chevron, thus minimizing
Lloyd Hamrol
Betaire Majestic 1964 digressive connotations; his sprayed penumbra have a
29½x21x6iin. non-retinal optical quality. He adds to his painting some
Rolf Nelson Gallery
of the brittle gloss. vulgarity and gaudiness of Los
4 Angeles, the new shiny surfaces that call attention to
Craig Kauffman themselves. very different from the pattern of worn or
Unr,r/ed 1964
Painted Plexiglas Relief dirty surfaces of the big Eastern environment.
48x36in.
Ferus Gallery There are constant optical shifts in Bell's rectangles of
198