Page 36 - Studio International - October 1965
P. 36

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                                                                                modern  art  must  1·eflect  contemporary  time.  You  will
                                                                                therefore  understand  that  it  was indispensable for me
                                                                                to  complete  my  collection  of  medieval  paintings  by
                                                                                adding contemporary works of art.
                                                                                How  did you go  about building  up  your  collection  of
                                                                                Modern Art?
                                                                                First  of  all,  let  me  cast  a  retrospective  glance  at  the
                                                                                historical  development:  the breaking-up of the  estab­
                                                                                lished order is manifest in Impressionism.  It may sound
                                                                                simple, but it is illustrative, to objectify the conception
                                                                                of  the  established  order  with  the  disintegration  of
                                                                                representational art. To put it briefly, the manifestations
                                                                                of  the  disintegration  of  Impressionism,  the  feverish
                                                                                treatises of the  Expressionists and the colour orgies of
                                                                                the  Fauves,  the geometrizations of the  Cubists,  inevit­
                                                                                ably  brought  with  them  the  loss  of  the  traditional
                                                                                concept  of  nature,  of  the  object,  and  created  a  new
                                                                                philosophy of life in art, analogous to the great scientific
      1                                                                         discoveries  of the  microcosm and the  macrocosm.  As
      Piet  Mondrian  1872-1944                                                 a  result  of  the  dissolution  of  the  old  world  of  ideas,
      Composl(/on  1928
      45 x 45 cm                                                                many new Isms came into being. The aim of this variety
                                                                                of  newly-created  trends  was  to  integrate  the  familiar
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      Max  Ernst                                                                image of the universe in some objective form or other
      Habakuk 1928
      Plaster                                                                   into  the  new  order.  The  most  legitimate  attempt  was
                                                                                Surrealism  which,  in  a  last  effort  to  save  the  old­
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      Sam  Francis                                                              established order,  conjures up pictures derived from the
      CompOSl(/On 1954                                                          world of dreams, from the realm between the conscious
      Mixed techni�ue
      103  x 69 cm                                                              and  the  unconscious.  But  the  position  of  non-repre­
                                                                                sentational  expression  could  no  longer  be  shaken.  I
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      Hans  Hartung                                                             hold this art form to be the most valid statement of our
      Composl(/on 1950
      45  x  73 cm                                                              century.  It has freed the artist from copying nature and
                                                                                from  reproducing  the  anecdotal.  It  has  prepared  him
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      Georges  Mathieu                                                          for  a  new  spiritualization  and  for  a  deepening  of  his
      Denys L'  Aeropag,re  1956                                                creative  power.  My  collection,  therefore,  had  to  be
      89 x  145 cm.
      154
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