Page 26 - Studio International - April 1966

modification since. In spite of slight shifts of style (notably remarkably consistent, with the inevitable result that it
the one around 1936, when his feeling that the visual has been accused of 'not leading anywhere'. Even per-
character of space was not angular but 'spheric', led to ceptive admirers of his art have been drawn into making
a more gracefully curvilinear manner in his construc- this reservation : 'I see little possibility of modification in
tions), Gabo's own realization of the programme in the work of the most important Constructivist of all', one
practice has not only been brilliantly thorough but quite of them has written: 'this abstract art seems to me a futile