Page 52 - Studio International - April 1966
P. 52

Trova the Toy-maker


                               by Frank Whitford

                               They say that in New York Ernest T. Trova is a name to  of veins and nerve-centres) ; and a standing, stainless steel
                               be reckoned with. Two years ago in London he showed  figure is transfixed between giant wheels.
                               just paintings. Recently at the  HANOVER GALLERY  the   A Falling Man sounds highly moralistic : man trapped
                               paintings took second place to sculptures and assemblages.  by science or reduced to a cipher. But Trova has more
                               Neither quite justify Trova's advance notices.     likely fastened on his man-image for its visual possibili-
                                His immaculately finished objects, which contain both  ties, and though in places there seems to be an implied
                               Op and Neo-Dada elements, look as if they have been  seriousness, there is probably a wink and a wry dig not
                               made under laboratory conditions. Beautifully and lov-  too far beneath the surface. At the back of two perspex
                               ingly made, they delight for their sheer craftsmanship, if  light-boxes where the silhouettes of men radiate from a
                               for no other reason—gleaming things of perspex, stainless  circle are two plastic Mickey Mice, and here and there is
                               steel, and formica.                                a discreetly-drawn mathematical symbol, more pseudo
                                All the paintings and objects shown were studies for or  than significant.
                               actually from a Falling Man  series. It is not clear why   There is no esoteric intention then; there are no forays
                               Trova is so fixed on this title. Common to all pieces is a  into the realms of higher mathematics. Just a collection
                               stylized ideogram of a man, like an isotype symbol. But  of perfectly-made objects—toys for adults. Like the large
                               the figure is hardly ever depicted in a falling attitude.   steel cube decorated with those ubiquitous symbols, or
                                Groups of these symbols are poised as radii of a circle;  the car-kit, a transparent case complete with handle and
                               single outlines of figures have illuminated incongruous  fasteners, which contains the man, four rulers and a
                               innards (like those pseudo-medical  Transparent Man  gleaming mass of model parts. Not to be assembled—just
                               models, but with a map of downtown New York instead   looked at. 	                               q



       Figure from             Car Kit 1965
       Falling Man series      (Falling Man series)
       Chrome-plated bronze    Chrome, plexiglas and perspex
       Height 24 in.           Height 14 1/4 in. Length 17 1/2  in. Depth 4+in.
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