Page 54 - Studio International - April 1966
P. 54

John Wragg



                               by Charles S. Spencer

       Born York 1937;         John Wragg was born in York, a city half-way between
       York School of Art 1953-6;   an ancient country town and a modern industrial centre;
       Royal College of Art 1956-60;
       Sainsbury Award 1960;   his family were 'railway people' and his father a model
       has taught at Chelsea School   engineer. 'As a child I grew up in the environment of
       of Art since 1961;      precise craftsmanship. I took it for granted. Now I realize
       first one-man exhibition
       Hanover Gallery 1963;   that what my old man was doing was near-art; they had
       represented in the collections   the complex quality of nature.' His was the background
       of the Arts Council,    which produced Henry Moore and Barbara Hepworth—
       Tate Gallery and the
       Contemporary Art Society.   the unspoiled power of the Yorkshire countryside and the
       Exhibiting at the       living tradition of craftsmanship. Observation of natural
       Hanover Gallery,        forms and a respect for manual dexterity—or to put it
       April 25 -May 27.
                               sentimentally, the dignity of labour—may be a clue to this
                               phenomenon. As Wragg puts it— 'Complex engineering
                               has the same quality as nature; the eye can't break down
                               the stages of development, the layers of formation or
                               creation. Both have a convincing quality, which I feel
                               inside of me.'
                                His sculpture has developed from a direct restatement
                               of natural forms to a synthesis which is more personal
                               and more authoritative. 'I started out by being in-
                               fluenced by nature; you never distrust it somehow—a
                               blade of grass, a tree, the fluid shapes in nature, or for
                               that matter in a human form, you never question it.'
                                Until recently his sculpture was oddly eccentric; a basic,




















































                               Checkpoint 1963                                    Chephren 1965
                               Height 5ft 8 in.                                   Height 6 ft 4 in. Aluminium
                               Aluminium                                          On the wall is a drawing of the design
                                                                                  which won the Sainsbury Sculpture Commission
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