Page 47 - Studio International - June 1966
P. 47

Barbara Hepworth in her times















































                                                                                    Above
                                                                                    Square forms (two sequences) 1963
                                                                                    Bronze  Height51½ in. Edition of seven
                                                                                    Left
                                                                                    Rock Form (Porthcurno) 1964
                                                                                    Bronze  Height96 in.
                                                                                    Background: Figure 1964
                                                                                    Bronze  Height 71-¼in. Edition of six












                                  A sculptor's landscape
                                  Excerpts from an autobiographical essay

                                  I cannot write anything about landscape without writing   the same as the touch of a child in health,  not in sickness.
                                  about the human figure and the human spirit inhabiting the   The feel of a loved person who is strong and fierce and not
                                  landscape. For me, the whole art of sculpture is the fusion   tired and bowed down. This is not an aesthetic doctrine,
                                  of these two elements-the balance of sensation and the   nor is it a mystical idea.  It is essentially practical and
                                  evocation of man in his universe.                  passionate ...
                                   Every work in sculpture is ... either a figure I see, or a   Sculpture  is to me an  affirmative  statement  of our will to
                                  sensation I have, whether in Yorkshire, Cornwall or Greece,   live: whether it be small, to rest in the hand; or larger, to be
                                  or the Mediterranean.                              embraced; or larger still, to force us to move around it
                                   In all natural forces there is an underlying principle of   and establish our rhythm of life. Sculpture is, in the
                                  growth and form, endlessly adjusting and purifying itself.   twentieth century,  a wide field of experience, with many
                                  Only when man intervenes, as in open-cast mining, does the   facets of symbol and material and individual calligraphy.
                                  landscape become as shapeless and ugly as an old   But in all these varied and exciting extensions of our
                                  pillow.                                            experience we always come back to the fact that we are
                                   Whenever  I  am embraced by land and seascape  I  draw   human beings of such and such a size, biologically the same
                                  ideas for new sculptures: new forms to touch and walk   as primitive man,  and that it is through drawing and
                                  round,  new people to embrace,  with an exactitude of form   observing,  or observing and drawing, that we equate our
                                  that those without sight can hold and realize.  For me it is   bodies with our landscape.   Barbara Hepworth
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