Page 52 - Studio International - June 1966
P. 52

Turner's life : a new perspective



                              by Jack Lindsay

                              Throughout his life of seventy-six years Turner was secre-  position was respected. Yet Sarah and the girls have been
                              tive, and it would have been hard enough, even in the  flung out of every work on Turner, apart from a trivial
                              1850's, to dig up the facts he had buried. But Thornbury,  production by B. Falk.
                               his biographer, was the laziest of careless journalists and   As an example of the way that a little detective work can
                              did not even attempt a coherent account of his academic  still unravel something of the position, I may cite
                              career. Finberg gave us that account in 1939, but the  Turner's residence in Norton Street, where a co-tenant
                               Life remained unwritten. Now, much of Turner's per-  was Roch Jaubert. The latter can be shown to have been
                              sonal life is irretrievably lost, but it is still possible to make  a close friend of the Danbys' ; for he lent Sarah his name
                              sense of it and to trace a few of the hidden trails.   as publisher for Danby's Posthumous Glees in 1798. It thus
                               One important matter was his affair with Sarah Danby,  becomes certain that Turner took the house in Norton
                               begun about 1798 and carried on till at least some time  Street to be near Sarah, who was just round the corner in
                              after 1809. Almost all writers have confused Sarah with  Upper John Street (Fitzroy Square). For his strong sexu-
                               her niece Hannah, who was known in her old age as a  ality we have not only the drawings of copulations, not
                               repulsive hag; and they have felt what Hamerton  all of which by any means were destroyed by Ruskin, or
                              frankly stated—that one can accept liaisons with some  his pleasantly bawdy ballad,  Be still my dear Molly,  but
                               elegance like Byron's, but cannot stick one's gentlemanly  also, more importantly, the rich sexual symbolism of his
                               nose into Turner's squalid affairs. Sarah however was  landscapes, not least the way in which he likes to define a
                               the widow of a leading glee-composer, organist for the  downward thrust against a simultaneously ascending
                              Spanish Embassy, and there is no reason to think her  uplift.
                              anything but charming, cultivated, and elegant enough   Such matters as the affair with Sarah must, however,
                              for Hamerton's acquaintance. She kept up her place in  be seen against what was clearly the most important
                               the musical world, for one of her daughters by Danby  emotional event in Turner's life, the schizophrenia and
                               married Nixon, a composer-organist of some standing.  madness of his mother: a shattering experience which his
                               She bore Turner two girls, who figure in his will. One of  insensitive biographers write off in a line or two. Coming
                               them, Evelina, as well as her husband, Joseph Dupuis,  to its head in his twenties, when he was fast rising as an
                              who had a good career in the consular service, made the  artist and was starting off with Sarah, that madness had
                               explicit claim that she was Turner's daughter; and the  a lasting effect on him. It did much to beget his fear of a
                              way she was treated in the Chancery case shows how her   settled relationship with women and to strengthen his
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