Page 36 - Studio International - November 1966
P. 36

back in his old age.
                                                                                   As an old man, Wallis was isolated within the com-
                                                                                  munity he lived in because he was not one of them by
                                                                                  birth, because his wife had died, and because he found it
                                                                                  increasingly hard to trust people. He became in no small
                                                                                  degree a misanthropist. 'Alfred Wallis got what he looked
                                                                                  for: he looked to be without a friend—he died a hermit',
                                                                                  Berlin recalls one account of him. So Wallis died destitute
                                                                                  in a workhouse, his only friends and visitors being the
                                                                                  few artists who had admired and bought his paintings,
                                                                                  and who latterly kept him supplied with materials. It is a
                                                                                  sad story. But Wallis was also isolated, it should be
                                                                                  remembered, because he engaged himself six days a week
                                                                                  in an activity that none of his neighbours was equipped
                                                                                  to understand or take seriously, except as an elegant
                                                                                  summer occupation for gentlemen who had trained in
                                                                                  London and Paris and exhibited in the Royal West of
                                                                                  England Academy. Clearly Wallis, who didn't even go
                                                                                  out and look at what he was painting, was someone to be
                                                                                  quietly laughed at.
                                                                                   He was regarded as 'a bit queer in 'is 'ead', as I have
                                                                                  frequently heard him described. Only a few professional
                                                                                  artists were prepared to understand him, and take what
                                                                                  he was doing seriously. To Christopher Wood, who with
                                                                                  Ben Nicholson chanced to pass by his open door during
                                                                                  a visit to St Ives in September 1928, the old man working
                                                                                  at his table with his pictures nailed up all round the wall
                                                                                  was not in the least 'a bit queer in 'is 'ead', but 'just like
                                                                                  Cezanne'. 	                                   q







































                               Above Sailing Ship and Icebergs 	                  Opposite top St Ives
                               Collection: Mrs Nicolete Gray 	                    Reproduced by courtesy of the Trustees of the Tate Gallery
                               Wallis used to say that as a boy he crossed the
                               Atlantic to Newfoundland, when he might well have
                                                                                  Opposite bottom Boats at Sea
                               seen icebergs. He often incorporated a crescent moon Collection: Adrian Stokes
                                                                                  The dark red at the top of the painting is the bare
                               in his paintings, but always in the inverted form in
                               which it appears in this painting.
                                                                                  mahogany wood of the panel.
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