Page 35 - Studio International - November 1967
P. 35

after world war II
                                                                                     the old bourgeoisie rapidly disappearing
                                                                                     difference between manual and brainworkers
                                                                                     hardly visible
                                                                                     split between labour and capital not apparent
                                                                                     russia no longer considered a paradise
                                                                                     socialist goals nearly attained
                                                                                     socialism lost its attraction
                                                                                     capitalists may vote for labour

                                                                                     internationalism
                                                                                     now means unification into blocs
                                                                                     (east or west of the iron curtain)
                                                                                     youth without ideals regarding the future
                                                                                     hardly anybody interested in politics

                                                                                     world war II in europe
                                                                                     a war between nazism and democracy
                                                                                     confronting  everybody
                                                                                     with sadism hunger and death

                                                                                     world war II for asia and africa
          Asger Jorn
          Le monde perdu 1960                                                        meant the end of colonialism
          oil on canvas                                                              meant freedom and nationalism
          46+ x 35 in.                                                               to gain the same rights
          Eindhoven Museum,
                                                                                     that western countries enjoy
          Holland
                                                                                     in twenty years
                                                                                     amidst the beautiful scenery
                                                                                     of old towns and venerable architecture
                                  around world war I                                 europe asia and africa
                                  a bourgeoisie comfortably installed                changed completely
                                  with several servants                              and of course
                                  behind heavy curtains in a velvet interior         art changed completely
                                  dimly lit through pink lampshades
                                  realizing slowly                                   cubism and constructivism
                                  `a labourer is a human being too' (van gogh)       have done their work
                                  but voting for liberalism and reaction             the beauty of form and colour
                                                                                     is transcended in violence of expression
                                  and a working class poorly clad
                                  struggling to feed its children                    the little masterpiece
                                  trying to forget misery through alcohol            above the chest of drawers
                                  or attending socialist meetings                    makes room for the large canvas
                                  striking to obtain better salaries                 into which we may enter
                                  and the 8-hour working day
                                                                                     a new generation of artists
                                  internationalism meant revolution                  without fear and without idealism
                                  `proletarians of all countries unite'              tries to build new human relations
                                  strong labour parties everywhere                   with paint and metal'
                                  full of idealism                                   shaping the world of 1960, 1970. . . .
                                  looking toward russia                             `a painting no longer is a structure of colours and lines
                                  where socialism won the battle                     but a beast a night a city a human being
                                                                                     or all these together
                                  youth with hope of the future
                                  europe vibrated
                                  with constructive ideas (mondrian)                 after a period in which art represented nothing
                                  everybody was interested in politics               a new era is about to start
                                  world war I was a war between armies               in which art represents everything'2
                                  only soldiers were involved


                                                                                     1   the carving in stone is too slow a process for today's sculptor
                                                                                     2   the painter constant in a dutch manifesto 1948
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