Page 53 - Studio International - September 1968
P. 53

6 Multiple, aluminium by Susan Tebby on show at   9  Bust, bronze, 13 in. high by Ernst Eisenmayer, one   11  Polarity, 1968, painted steel, 8 ft 2½ in. high by
              The Greenwich Theatre Gallery until September 20.   of an edition of 76. The artist is showing works in   Robert Adams on show in an exhibition of recent
              The artist is showing, among other works, three sets   bronze and stone at his one-man exhibition at the   sculpture by the artist at the Gimpel Fils Gallery from
              of Multiples in limited editions. They are small hand   Mercury Gallery from September 19.   September 5. The artist studied at Northampton
              sculptures of turned aluminium, which revolve around   10  Smokey miracle,  1968, oil on canvas, 5 x 4 ft.   School of Art and taught at the Central School of Arts
              each other as the spectator wishes. The same cross-  by David Oxtoby at the Zaydler Gallery from Sept-  & Crafts, London. He has exhibited in London, Paris,
              sectional shapes are used in wall reliefs and moving   ember 4 until 27, A Fellow of Manchester College   and New York, at the Venice Biennale in 1962, and
              paintings in conjunction with colour. Also exhibiting   of Art and at present teaching at Maidstone College   at Documenta III in 1964.
              are the painters, John McLean and Michael Macleod.   of Art, the artist has exhibited in London and the U.S.
             7 Furniture with three drawers, collage 38x 51 in. by   Public collections include the Museum of Modern
              Enrico Baj, in Part II of the Grosvenor Gallery's ex-  Art, New York.
              hibition of Twentieth Century Paintings and Sculp-
             ture on show until September 21.
             8  Smiling pig  1968, gouache, 14x 11 in. by James
              Lloyd (Collection : Miss Patricia Kneale) at the Portal
             Gallery from September 25. Lloyd lives in a small
             Yorkshire village. His pointillist technique was de-
             veloped instinctively and makes no reference to the
             French Impressionist School.
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