Page 54 - Studio International - April 1971
P. 54

when the artist wanted to extend his residence   simply to donate at least $7000 to the Museum;   2. A Sponsor Corporation is a manufacturer who
    he was able to do so. Still there was an intrinsic   and Contributing Sponsor Corporations, who   arranges to have an artist work within its plant,
    sense of limitation suggested to certain artists by   would donate only services, or less than $7000.   using specified personnel and materials, but makes
    the expectation of a three-month project.   Patron Sponsors had the 'option to receive one   a smaller contribution to the Museum's special fund
    Anticipating a restricted time span, some artists   principal work of art resulting from the   for the project.
    undoubtedly inhibited the scope of their   collaboration'; the other categories of   3.  Contributing Sponsors donate materials and/or
    aesthetic conceptions.                    corporations did not have this option.     services to the Los Angeles County Museum of Art
       Yet another factor needed clarification   A brochure was drafted and printed at this   for this project but do not take an artist into
    before we could outline the terms of company   time for corporation executives :     residence.
    obligations. Many executives wanted to know   Art and Technology is the working title' of a   4. Service Corporations provide specialized
    rather precisely how much financial support and   major project now being planned at the Los   services such as transporation, housing facilities for
    staff time would be expected from them after an   Angeles County Museum of Art. The purpose of   visiting artists and technical consultation.
    artist came to work. But it would have been   this enterprise is to place approximately twenty   5. Benefactors are non-technical,
    impossible to estimate budgets from companies   important artists 'in residence' for up to a twelve-  non-manufacturing firms who donate $7000 to the
    as diverse as, for example, Rand and Lockheed   week period within leading technological and   Museum's special fund for 'Art and Technology'.
    or JPL and Kaiser Steel. And it was imperative   industrial corporations in California. Works of art   Industries located primarily in Southern
    to have identical contracts with each     resulting from these co-operative endeavours will   California are now being approached for their
    participating company, as it was to have   be exhibited at the Museum in the Spring of 197o.   co-operation. By May 1968, a preliminary list of
    identical contractual agreements with the    International developments in art have   ten corporations should be made public. Beginning
    artists. We naturally wanted to avoid setting any   provided the impetus for this project: much of the   at this time and throughout 1968 and 1969,
    advance financial limits on collaborations.   most compelling art since 1910 has depended upon   artists will be contacted by the Museum and asked
    Obviously a key motive in the programme was   the materials and processes of technology, and has   to submit project proposals. Artists will be
    to allow the chance of one or both parties being   increasingly assimilated scientific and industrial   approached largely on the basis of the quality of
    stimulated to extend their commitment out of   advances. Nevertheless, only in isolated   their past work and expressed interest in specific
    sheer enthusiasm.                         circumstances have artists been able to carry out   technological processes. Projects to be implemented
       Few companies questioned our total right to   their ideas or even initiate projects due to the lack   will be chosen by the Museum on the basis of both
    select artists for them. It should be noted that   of an operative relationship with corporate   potential aesthetic stature and practical feasibility.
    corporations had the option to 'approve' the   facilities. Our objective now is to provide the   Corporations will be presented with an appropriate
    artist before he took up residence; such approval   necessary meeting ground for some eminent   work proposal for their approval in principle;
    is of course implicit, but by making it explicit a   contemporary artists with sophisticated   scheduling will then be arranged by the corporation,
    certain degree of company wariness was     technological personnel and resources. Naturally   the artist and the Museum. The initial proposal
    eliminated.                                we hope that this endeavour will result not only in   submitted to corporations will be sufficiently clear
       In April 1968, I met with the Board of   significant works of art but in an ongoing union   to indicate the extent and nature of the
     Trustees for the second time to deliver a   between the two forces. It is our conviction that the   corporation's involvement. It is understood that
     progress report. I anticipated that we could   need for this alliance is one of the most pressing   this preliminary plan may change considerably
     enlist the financial support of at least twenty   aesthetic issues of our time.     during the course of the collaboration between
     corporations, to the amount of $140,000 as a   During the past six months, we have made   corporative personnel and artist.
     straight donation to the Museum for use as   numerous preliminary contacts with corporation   Participating artists will sign a contract drawn
     needed in operating the programme—to cover   presidents in California. These discussions have   up by the Museum setting forth rules and
     artists' payments, transporation and installation   served to corroborate our feeling that the   conditions. Non-local artists receive round-trip
     costs. According to my prospectus these twenty   advantages to participating corporate concerns are   economy air fare plus $20 per diem expenses and
     companies additionally would each take an   manifold. Since the project will be fully documented   honorarium of $250 per week. Local artists
     artist into residence. I requested $70,000 from   by CBS television for a network special, as well as   receive the same honorarium.
     the Museum as its share in supporting Art and   being systematically publicized through other   Corporations will enter into a written agreement
     Technology for the 1968-69 fiscal year.   media, promotional benefits to industries can be   with the Los Angeles County Museum of Art in
     (Perhaps unconsciously, I had adopted the   considerable. It is expected that collaborating   advance of the scheduled residence periods.
     businessman's strategy—but in reverse ratio.)   technical personnel may gain experience directly
     The Board sanctioned the plan, provided that I   valuable to the corporation, as indeed has already   In May 1968, IBM and American Cement
     obtain written agreements from ten        occurred in the plastics industry. All expenses,   Corporation signed Patron Sponsor contracts
     corporations before announcing the programme   including corporation staff time and materials, are   and became the first contracted participants in
     officially. I drew up a contract which took into   tax deductible; in addition, Patron Sponsors will   Art and Technology. In October we officially
     account three different kinds of corporation   have the option to receive a work of art issuing   announced the programme. Press coverage in
     participation. I knew that certain companies   from this collaboration. In many cases, the art   the New York Times and Los Angeles Times
     would be eager to have an artist in residence, but   works will exceed in value the total expense of the   occasioned by this announcement were to help
     for various reasons, often having to do with   corporation's contribution.          us in attracting most of the remaining corpora-
     anticipated stockholder reaction, would not   Corporations are asked to contribute in one of   tions we required to make the programme work.
     elect to write a cheque to the Museum. Other   five categories:                     Two months later we listed the companies
     companies would financially support the   1. A Patron Sponsor Corporation takes an artist   contracted to date in the first of eleven monthly
     programme and might desire collaboration, but   into twelve-week residence within one of its   reports :
     an artistic use of their facilities was technically   corporate facilities to work in a specific area with   PATRON SPONSORS
     unlikely. We established categories of corporate   the corporation's personnel and materials. A   1.  American Cement Corporation
     involvement: Patron Sponsor Corporations,   Patron Sponsor also contributes $7000 to the Los   2.  Ampex Corporation
     who would agree to take an artist into residence,   Angeles County Museum of Art to help defray the   3.  International Business Machines
     and also donate $7000 to the Museum; Sponsor   extraordinary expenses of the project. As noted   Corporation
     Corporations, who would take an artist into   above, Patron Sponsor Corporations have the   4.  Kaiser Steel Corporation
     residence but who donate less than $7000 or   option to receive a work of art issuing from the   5.  Litton Industries
     nothing at all; Benefactor Corporations, asked    collaboration.                    6.  Lockheed Aircraft Corporation
     174
   49   50   51   52   53   54   55   56   57   58   59