Page 57 - Studio Internationa - March 1971
P. 57

any lengths to avoid mentioning any emotions or   the first intimation that computer visual display   Fontana Modern Masters series for an all-out
           to generate any form of involvement or    techniques can be a source of enjoyment and   attack on Marshall McLuhan's reputation, but
           enthusiasm and will even claim to have replaced   create things of beauty. Instead of the sterile   an attack which implicitly pays a real tribute to
           intuition by digital processes. It reminds us that   solemnity which characterises quaint, one-a-  McLuhan. The tribute is that he has awakened
           the heroic phase of modern art is well and truly   minute, throwaway doodles as 'impermanent   perception and convened a debate.
           over: no more lunatics burning their passions   works of art' we have a host of privileged   People have been sniping at McLuhan for
           out on canvas; just a group of men in white coats   American schoolkids playing with visual display   some time. His recent publishing follies made it
           deciding what next week's New Movement is   units —creating for the hell of it.      reasonable to think merely that his infatuation
           going to be (and of course how much it will cost).   Towards the end the book slowly succumbs to   with advertising and PR had blunted the valuable
             Although the heroic phase has been neutered,   the more joyful aspects of an otherwise bleak   insights expressed in The Mechanical Bride and
           the process has thrown out, as a by-product, a   scene. Given another hundred pages it could   The Gutenberg Galaxy. Miller's complaint is
           non-heroic non-sterile equivalent to its   have developed into a powerful stimulant. As it   more radical: that McLuhan's fundamental
           creativity. The hardware is as yet primitive   is, it constitutes a useful outline of what's been   arguments, which are most weightily set out in
           (cathode ray tubes and plotters) but the software   done and how it was done. The sections on two   the Galaxy (1962), are wrong. McLuhan has so
           enabling us to manipulate it is sufficiently   of Charles Csuri's procedures and on the ARTI   immunized himself against criticism that only a
           advanced to open out fantastic possibilities for   educational programme are particularly useful   frontal attack, mobilizing a wide range of
           everybody to develop their visual awareness.   in that they are explained in such detail that one   weapons, could have drawn any blood. (It
           Spirographs and pantographs pale before this   cannot help but want to apply the processes   should be added that Miller carries out the
           new toy. In one of the few assertive alive   oneself. q                              exercise without personal animosity.)
           passages in the book, Stan Vanderbeek is quoted   COLIN MOORCRAFT                      Miller's strategy is of some interest, and may
           as saying that the computer is 'a large black box:                                   owe something to the Chomskyan notion of
           the memory of the world, a metaphysical   Grist to the Miller                        `deep structure', for he seems to try and abstract
           printing press', and as predicting 'I expect driving                                 from the available published data a structure of
           a computer down the road of art and sensibilities,   McLuhan by Jonathan Miller. 140 pp.   attitudes and ideas which might be conceived of
           will lead to flying: i.e. analogue systems... and   Fontana. Sop.                    as 'generating' (in the linguistic sense) all and
           that will be very lovely and full of surprises that                                  only the statements which we recognize as
           defy gravity and expected images ... my own   Slim but condensed, a work of 'conceptual art'   McLuhanese. Others have rebutted McLuhan
           perspective as an artist and my instincts, tell me   if ever there were one, this is an important book   at the level of his specific theories and
           that memory is the matrix of the human    which should be read by all who are interested in   interpretations on every topic under the sun.
           condition, and computers are the pertinent   theories of media and communication and by all   Lawrence Alloway, for instance, writing in the
           extension of the real-time mind of man...   who are in the habit of quoting McLuhan   July 1969 issue of Studio International, attacks his
           hooray for art and life...'. This passage occurs   aphorisms to back up their own arguments.   position on popular media. However, McLuhan
           eight ninths of the way through the book and is    Jonathan Miller has used the format of the    is quite happy to scrap any statement that no



















































                                                                                                                                   135
   52   53   54   55   56   57   58   59   60   61   62