Page 53 - Studio International - May 1972
P. 53

proto-shaman is likely to be regarded as some   left without definition. It seems to have been   student / staff ratios ; flexibility or laxity or
           kind of cripple by the majority of people he   implicit in the changeover from NDD to   absence of curricula; teaching days or weeks of
           encounters in the world outside. (There is a   Dip AD that some kind of 'free area' was being   very variable lengths; ease of access, at short
           dreary existentialist notion that some 'poetic'   established in which art could flourish and bear   notice, for part-time staff or once-only visitors
           equation can be made between the two.) I do   fruit. But while there may be both historicity   etc., etc. The larger the unit, the more necessary
           not suggest that the art schools have come to   and method to teaching someone how to draw,   and the more powerful the role of the
           fulfil this incapacitating function through the   there is little of either involved in teaching them   administration. Administratively, these customs
           malicious intent of any individuals or bodies;   how to be artists. It is a cliché that art students   are hard to justify, particularly in relation to
           merely that they faithfully reflect the system   are neurotic; maybe art schools keep them that   practises in other polytechnic departments; and
           which they serve so well, whose highest values   way. The very absence of definition has left art   the means used to justify them within the art
           they enshrine, whose noblest aspirations they   schools, particularly fine art departments,   schools are unlikely to attract sufficient
           foster and whose most liberal principles they   confused and highly vulnerable. The NACAE's   sympathy from the uninitiated to guarantee
           exemplify.                                and NCDAD's unwillingness to legislate might   their continuation.
              The isolation of art education and of art   be seen as an evasion of some real responsibilities   In fact it must surely be faced that the now
           schools was built in from above, administratively,   by liberals too fearful of establishing the grounds   conventional means of justification of 'art
           by the means of their establishment, and   for repression, ignoring the lesson all liberals of   education' in general must be abandoned or at
           perpetuated by the almost total restriction of   a certain generation should know by now: that   least stringently reviewed. Allowing for the
           growth in Dip AD courses during a period of   there will always be those ready to repress in   inadequacy of the analogy, the present claims of
           comparatively major expansion in the rest of the   circumstances for which others have been   many art educators and art education
           further education sector.3  The Department of   unwilling to make decisions.         administrators are open to criticism of a kind
           Education and Science has just issued a      The NACAE and NCDAD have been           that might be applied to, say, a claim by
           statement to the effect that art and design courses   praised as liberal and enlightened bodies. Does   practising physicists to be able to teach a subject
           followed by less than 24 students will normally   not their means of operation, with councils and   called 'physics' without providing evidence or
           be terminated, and that in the colleges of art no   panels of distinguished unpaid men of   exemplification of any theoria sustaining the
           new Dip AD courses will be likely to gain   conscience, accord with all those principles of   practice of that science. The point is not that
           recognition, though they may in the        enlightened administration which have served   art has to be seen as inherently theoretical, but
           polytechnics. During a period of expansion   the arts so well ? I see the formulations of these   that any claim to teach it must be defensible in
           elsewhere in further education there is little to   councils (and, it goes without saying, of the   terms of the claimant's theory or theories of art.
           choose between standstill and decline. This is   administrations they have served) as hesitant   Otherwise one must rely upon a belief in
           not to say that the art schools will be killed off or   and naive; bound, worst of all, to a disastrously   something like educational osmosis—as indeed
           even allowed to die. I'm suggesting that there   romantic view of art, of students, of college and   many fine art departments evidently do, as if in
           are ways in which they are needed. But it does   local administrations, and of society in general.   the belief that the central generative process of
           seem that those in authority may have mistaken   Romantic idealism is dangerous alike in   art education were one of perambulation in and
           the events of 1968 (sit-ins at Hornsey and   administration and education; the       around the art school by staff and students alike,
            Guildford etc.) for some kind of purposeful   administration of art education in this country   punctuated by chance encounters. The National
            revolt and have reacted accordingly. If art   seems to proceed, out of idealism, by makeshift.   Union of Students favours a comprehensive
           student numbers are to grow in future, it will be   Within the polytechnics the NCDAD is   system for all further education, including art
            under less vulnerable administrations. The   presumably known for the toothless watchdog   schools4; the more liberal art colleges and fine-art
            isolation of the colleges of art will not thereby be   it is; its authority has certainly been employed   departments seem already to be pursuing
           lessened—rather the reverse; it seems the   by them of late with some apparent cynicism.   something close to a laissez-faire primary school
           autonomous colleges are to remain well insulated   The polytechnic administrations have shown   open plan.
            from certain tendencies in normal education   some impatience with the hallowed customs of   There is apparently no end to the 'educational
            and beyond.                               the fine art departments (the indirect results of   experiments' for which art schools provide a
              The Dip AD was originally designed to give   the NACAE / NCDAD encouragement to   testing ground—perhaps because they are far
            some integrating respectability within an   colleges to make something of their     enough removed, as it were, from normal
            educational area which was deliberately to be    opportunities for self-determination): low    human habitation to ensure that the rest of the































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