Page 61 - Studio International - March 1973
P. 61

It aimed, ambitiously, to cover this topic from   craftsmen working under the guidance of   Shorter notices
        pre-Biblical archaeological times right down to   Jewish artisans. Textile embroidery was
        our own day. The name 'Jewish art' can be   certainly Jewish. The same applies to designs of
        highly misleading, and more confusing than   Hebrew printed books. Synagogues acquired
        enlightening. Pre-biblical Palestinian art with   their own style, both in Spain, central and
        its emphasis on specific pagan subjects could   eastern Europe, and it seems that the
        hardly have influenced the biblical subjects of   architects developed a specific 'Jewish' style to
        the Sacrifice of Isaac, the Shofar (the ram's   differentiate them from the church, Gothic or
        horn), the synagogue structure, the Ark, and so   Baroque.                           The Art Deco Style, selected by Theodore
        on. The more we move away from early biblical   With the advent of the modern age,   Menten. 182 pp, 468 monochrome illustrations.
        times, and we come to the Middle Ages, the   particularly after the French Revolution, many   Dover. $4.00.
        confusion becomes even more marked.        Jews came under the artistic influence of the   A bookful of pictures of everything —
          The various scholars who have contributed   rising art schools, mainly from France and   household objects, architecture, graphics,
        chapters to this book, and some are excellent,   Germany. Over a third of the book is devoted to   books — authentically representative of the
        have not helped matters, as no one has tried to   the various artists who happened to be Jewish   Movement which derived its name from the
        define clearly what is meant by 'Jewish', as   by birth. While we have here interesting studies   1925 Paris exhibition `L'Exposition
        distinct from non-Jewish, art. So far the   by Alfred Werner on 'Jewish Artists of the Age   Internationale des Arts Decoratifs et Industriels
        only serious attempt to come to grips with this   of Emancipation'; by E. M. Namewyi on 'Jewish   Modernes'. It's difficult to see exactly who this
        concept is by the late Professor Leo Ary Mayer,   Impressionists'; by W. George on 'The School of   sort of book is designed for: Hippy, nostalgically
        a distinguished Islamic art historian, who   Paris' and 'The Jewish Artist in the Modern   (and economically) faded pages, thus losing some
        defined it, in his planned monumental      World' by E. Roditi, we are certainly on slippery   useful definition, no colour. Perhaps some
        bibliography of Jewish art (subsequently edited   ground. It is a list of names, some of whose   people will leave it lying around and the price is
        by Professor Otto Kurtz), as bearing on Jewish   works included Jewish themes, but their style   definitely reasonable.
        religious life and ritual, having Jewish symbols,   and method of work is supra-national, and is   The Elements of Drawing by John Ruskin,
        or carrying Hebrew inscriptions, and deriving   not restricted to a purely Jewish tradition.   introduction by Lawrence Campbell. 228 pp,
        basically from Jewish traditions in different   Unfortunately these sections were poorly   51 monochrome illustrations. Dover paperback.
         countries before Jews received their      edited. Plates of artists are included, e.g. plate   $2.50.
        emancipation in Europe, namely when the    329 of Anatoli Kaplan, and others, and there is   Apparently Monet is said to have remarked
         Jewish craftsmen and artists were less    no text to explain the plates. The best studies in   that 9o% of the theory behind impressionist art
         influenced by the external environment. His   this book are 'Jewish Art in the Moslem World'   is in this book. Here it is nicely represented,
         terminal point was 1830.                  by Professor L. A. Mayer, and 'The Illumination   another Dover Edition 'designed for years of
           Specific Jewish art started approximately in   of Hebrew Manuscripts in the Middle Ages and   use!' (Peculiar, that exclamation mark.)
         the first century B.c. and centred round the   Renaissance' by Franz Landsberger. The   Erté Fashions  by Erté. 112 pp, 7 colour and
         synagogue, revolving round a limited number of   history of Jewish art is a recent discipline. We   many monochrome illustrations. Academy
         Jewish symbols. A number of such synagogues,   need to know infinitely more on every form of   Editions, London/St Martin's Press, New York.
         with mosaic floors, have been found in Israel   Jewish artistic creativity, and till we have an   £2.25 paperback, £3.20 clothbound.
         and in Rome. They contain Greco-Roman     authoritative study this book will serve as a   Erté was contracted to Harper's Bazaar from
         influences, superimposed by many Jewish   useful introduction. q                    1915-1937. He is indisputably unique among
         symbols. The great surprise was the discovery in   CHIMEN ABRAMSKY                  fashion artists in that his drawings were not
         1934 of a third-century synagogue in Dura-                                          illustrations of existing models but designs of
         Europos, Northern Syria, with walls richly                                          his own creation which served as a constant
         decorated with human beings, describing   Contributors to this issue                source of inspiration to the couturiers. A
         biblical events as interpreted in rabbinic   Chimen Abramsky is a reader in Jewish   breezy frontispiece showing old R.T. in Rip
         literature. The paintings, bearing an early   studies at University College, London . . .   Van With It attire sets the scene. Some of the
         Byzantine influence, were contrary to biblical   Philip Connisbee is a lecturer in art history at   black-and-whites are blurred and the colour's
         injunctions : 'Thou shalt not make unto thee a   the University of Leicester ...Tim Craig is   unnecessary. It could be cheaper.
         graven image, nor any manner of likeness.' So   currently working on a book on Al Capone . . .   The Social Context of Art,  edited by Jean
         far this synagogue remains unique. We cannot   Cecilia Dresser   is responsible for Japanese   Creedy. 217 pp. Tavistock Publications
         compare it with any other Jewish paintings in   books in the University Library, Cambridge .. .   paperback. £1.25
         the ancient world.                        Andrew Forge   is art critic of The Listener . . .   Here we go: Kepes, Cornford and, guess who,
          After this we have a long gap, and in the tenth   David Freke   is a lecturer in art history at   Edward Lucie-Smith, among others. Eleven
         century we have Hebrew bibles illustrated in   Chelsea School of Art . . .   Charles Harrison   essays, breezy, if not thrown together. Example:
         the East, and the subjects illuminated 'were   is editor of Art-Language . . .   Malcolm   P.S. I've just thought of two thumping great
         vessels used in the Temple in Jerusalem' but   Le Grice   is a film-maker and a lecturer at   issues which, if I hadn't had to write this in such
         `the ornaments are entirely Moslem' (Mayer).   St Martin's School of Art . .   John Milner is a   a hurry .. .'. This was written in 1968 too;
         The art of illumination spread to Europe, and   lecturer in fine art at the University of   maybe five years has dulled the immediacy.
         there the Jewish scribes/illuminators     Newcastle upon Tyne . . .   Paul Overy  has   Radical Perspectives in the Arts, edited by
         introduced Spanish, French, Italian, German   published books on Kandinsky and De Stijl and   Lee Baxandall. 388 pp. Pelican paperback. 65p.
         and other influences, always superimposed   writes regularly for New Society . . .   Caroline   19 lectures on such topics as 'The Arts and
         by specific Jewish symbols derivative of Jewish   Tisdall   is art critic of the Guardian,   and was   Capitalism', 'The Arts and Socialism', 'The
         tradition. There still remain the unsolved   organizer of the recent Futurism exhibition held   Future of Culture: the "End" of "Culture"'.
         problems of whether the illuminators were   in Newcastle and at the Royal Academy .. .   Contributions by Marcuse, Sartre, Fischer, even
         Jews, or Christian artisans employed by Jewish   William Tucker teaches at St Martin's School   Castro. There are 13 monochrome illustrations,
         patrons.                                  of Art . .  Frank Whitford   is a contributing   all relating to the John Berger piece, one
           In addition, there is Jewish ritual silver,   editor to  Studio International . .   Maurice   particularly amusing one of officials of Chase
         which has survived since the sixteenth century,   Yaffe   is a research psychologist at the   Manhattan watching President Nixon sideways
        and was probably executed by Christian     Institute of Psychiatry, London           on TV.

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