Page 15 - Studio International - September 1973
P. 15
Studio International
Incorporating 'The Studio' Founded 1893 September 1973 Volume 186 Number 958
Editor: Peter Townsend Cover: specially designed for this issue by Alan Green
Managing Director: Brian Rushton
Assistant Editors : John McEwen An interview with Lawrence Alloway / James Reinish 62
Irena Oliver
Editorial Secretary: Thelma Watt
Art Director: Tony Garrett On the logic of artistic discovery : art as mimetic conjecture' /
Advertisement Manager: Martin Rewcastle Suzi Gablik / 65
Advertising assistant: Janine Szynkman
Production: Lyndon Haywood Correspondence / 68
Contributing Editors: The climate of the first Italian abstract movement / Guido Ballo / 69
Dore Ashton (New York)
Jean Clay (Paris)
Frank Whitford Footsteps of a master: the Jules Olitski retrospective /
Charles Harrison Ken Carpenter / 77
Tim Hilton
John Elderfield
Primitivism in the first wave of the twentieth-century avant garde in
Editorial Advisory Committee: Russia / Ivor Davies / 8o
J. P. Hodin (International relations)
Alan Bowness Malcolm Hughes and the open book / Stephen Bann / 85
Andrew Forge
David Thompson Principles of transitoriness / Dore Ashton / 91
Joseph Rykwert
John Golding
The life and death of the multiple / Charles Spencer / 93
Publishers:
Michael Spens Multiples directory / 95
D. Thomas Bergen (USA)
US Advertisement Representative: Review / 97
Paul Shanley
51 East 78th Street
New York City
New York 10021
Tel: (212) 628-3333
International Advisory Panel: Contributors to this issue
Argentina: Jorge Romero Brest SUZI GABLIK is an artist and free-lance writer. STEPHEN BANN is editor of 20th-century Studies.
Austria: Georg Eisler She is co-author of Top redefined' and author of a He has recently published, with Dr J. E. Bowlt,
Belgium: Michael Seuphor book on Magritte. The article appearing in this a collection of essays relating to Russian Formalism
Brazil: Mario Pedrosa issue is a chapter from a forthcoming book 'Progress and is preparing an issue on the theory of translation.
in Art: A Theory of Change', to be published in 1975.
Canada: David Silcox Reprinted with kind permission of the publisher, IVOR DAVIES is a lecturer in the Department of Fine
France: Jacques Lassaigne Thames and Hudson. Art, Edinburgh University and is curator of the
Germany: Dr Werner Schmalenbach Talbot Rice Art Centre. He is presently writing a
Holland: Prof.A. M. Hammacher JAMES REINISH teaches at the State University of PhD thesis on the Russian avant garde, and is also a
New York at Stony Brook. painter.
Israel: Haim Gamzu
Italy: Prof.G.C.Argan
LAWRENCE ALLOWAY writes for Artforum, Art in DORE ASHTON is Head of the Department of Art and
Japan: Shuzo Takiguchi America and many other publications. Architecture History at the Cooper Union School of
Scandinavia: Leif Ostby Art and Architecture, New York.
Spain: Alejandro Cirici-Pellicer GUIDO BALLO is Professor at Brera Academy, Milan,
Switzerland: Dr Carola Giedion-Welcker and author of several books on twentieth-century CHARLES SPENCER is the editor of Editions Alecto
Italian painting and sculpture. He has often been Collectors Club. He is the author of 'Erté', and is
USA : Thomas M. Messer
responsible for special historical exhibitions at the presently preparing a study of Leon Bakst to be
Venice Biennale. published this autumn.
KENNETH CARPENTER teaches art history and criticism [Contributors to 'Review' are listed on p.97.]
at York University, Toronto; he is currently
preparing a book of readings on modernist
criticism.
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