Page 30 - Studio International - April 1974

(Left) Deplacement 1972
(After punctual standard changes)
Photodiagram
(Right) Circular Expansion 1973
Infinity lies between the heels and the
point of sight. From zero point to zero point
backwards and forewards in the radius of . . .
Drawing and photographs
I therefore understand the mutations as real
visual mathematics of life which provoke a
regeneration of language as expression of
experience.'
In the series of previous primary
demonstrations photography served as a
documentary means of expression, as a neutral
intermediate bearer of predetermined
formulations. In another group of projects
Rinke deals with photography as a medium,
with the character and the laws of this medium
itself. In the series A moment (diminished)
or disappearance in the medium (white) 1972
Rinke discovered the phenomenon of the
picture which disappears in the medium. This
disappearance is linked with time, i.e. with the
exposure metre setting (in seconds) of the
camera. Rinke: 'I wanted to illustrate the
flimsiness (transparency) of one moment.' The
scheme for this work looks as follows:
o — reality o.6o seconds of time
— a photograph of nil
2 — a photograph of one
3 — a photograph of two
4 — a photograph of three
5 — a photograph of four
6 — a photograph of five
7 — a photograph of six
8 — a photograph of seven
9 — a photograph of eight
to — a photograph of nine
II — a photograph of ten
etc until a white field is reached.
Thus, if a certain object is photographed
(=reality), a photograph of this photograph is
taken in turn, and this process is repeated again
and again, the picture grows progressively more
blurred until it disappears completely.
By employing the opposite procedure, i.e. by
adding instead of subtracting or diminishing,
the same phenomenon is achieved but the
picture eventually disappears in a black field and
not a white one: Moments (added) or
disappearance in the medium (black) 1972.
Another aspect of Rinke's work is an attempt
to present the progress in time of an action, to
illustrate visually the process of change. This
process may take place on a person or on an
object. Example I : a person moves away from a
point (Deplacement I97o); example 2: a vertical
bar of wood falls down (42 Round Timber Sticks,
1970). The first work comprises several
photographs of the artist, who is moving along
in distances of 15m (steps) while the camera is
stationary. The photographs are superimposed.
After about twenty shots the figure is reduced to
a tiny point, the ambient landscape closes in.
Rinke thus converted a movement in time to a
movement in space and made this visible, as in a
diagram. Rinke presented a situation which, in

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