Page 57 - Studio International - January February 1975

In a conversation with Richard Hamilton on
the BBC. Quoted by A. d'Harnoncourt and
W. Hopps, Etant donnés . . . , Philadelphia
Museum of Art, 1961, p. 40.
2 Edmund Leach, 'Levi-Strauss', 1970, p. 19.
3 Lawrence Alloway, `Network: The Art
World Described as a System', Artforum,
September, 1972, pp. 28-32.
Gregoire Muller, 'The New Avant-garde',
1972, p. 14.
' Jack Burnham, 'The Structure of Art', rev.
ed., 1973, p. 14.
Ibid., p. 164.
Ursula Meyer, 'The Eruption of Anti-Art',
Art Idea, ed. Gregory Battcock, 1973, p. 118.
8 Gabrielle Buffet, 'Aires abstraites', 1957,
p. 157 sequ.
9 Ibid., p. 30.
Christa Baumgarth, 'Geschichte des
Futurismus', 1966, p. 77.
" Richard Weiner, Návstevou a nového
Frantika Kupky', Samostatnost, 8 August,
1912.
12 Kupka avant 1914, Catalogue of the
exhibition in the gallery Karl Flinker, Paris,
1966.
" Michel Sanouillet, ed., 'Marchand du sel,
écrits de Marcel Duchamp', 1958, p. no.
14 'Apropos of Myself', 1964, quoted in
Marcel Duchamp, catalogue of the exhibition
in The Museum of Modern Art in New York
and Philadelphia Museum of Art, 1973,
p. 258. Further cited as Marcel Duchamp,
catalogue 1973.
15 Arturo Schwarz, 'New York Dada', 1974,
p. 185.
" Frantisek Kupka 1871-1957, catalogue of
the exhibition in the Národni galerie in
Prague, 1968.
17 `Du cubisme a l'art abstrait', ed. by
Pierre Francastel, 1957, p. 129. Jiri
19 Jindrich Chalupecky, 'Les symboles chez Portrait of Claude Duchamp-Lorrain 1969
Marcel Duchamp', Opus International, 49,
41-48.
1974, pp.
" Marcel Pleynet, `Le fetiche Duchamp', Art et ses propriétés', Critique, 194,1959, p. 865. 1974, p. 19.
Press, 1,1973, p. 6. Also by Arturo Schwarz in Marcel Duchamp, " Burn and Ramsden, loc. cit.
20 Marcel Duchamp, 'A 1966, p. 5. catalogue 1973, p. 81. 62 Kosuth, op. cit., p. 35.
21 Art News, 1963. Quoted by Richard 40 Roman Jakobson, 'Co je poesie', Volné 63 Recorded by J. J. Sweeney. Sanouillet,
Kostelanetz in 'John Cage', p. XVII. smery, 30 July, 1934, pp. 229-39. Marchand, p. 109.
21a Octavio Paz, `*water writes always in " Karel Hynek Mácha, Maj (May), lines 64 Terry Atkinson, Art-Language, 2,1970,
plural', Aparienecia desnuda, 1973; quoted 5—10. Unpublished translation by p. 59.
from the English translation in Marcel W. E. Harkins. ss Cabanne, op. cit., p. 19.
Duchamp, catalogue 1973, p. 150. 415 Because of censorship, Jakobson quoted 66 Sanouillet, Marchand, p. 163
22 Paul Ricoeur, `Le conflit des only some relatively harmless fragments from 67 Art-Loisirs, 54,1966. Quoted by
interpretations', 1969, p. 63. the diary. The passage quoted here is typical. Robert Lebel in 'Marcel Duchamp and
23 Arturo Schwarz, `L'alchimiste mis á nu The unexpurgated text of Mácha's diary has André Breton' in Marcel Duchamp,
chez le célibataire, même', Data, 3 September, not yet been published. catalogue 1973, p. 140
1973, pp.. 30-37. 42 Claude Levi-Strauss, `La pensée sauvage', 68 Vogue, 141, New York, 1963. Quoted by
24 C. C. Jung, 'Psychologie und Religion', 1962, p. 290. Kyneston McShine, ibid., p. 134.
1942, p. 48. u Georges Charbonnier, 'Entretiens avec 69 Katharine Kuh, 'The Artist's Voice', 1962,
25 Karl Jaspers, Philosophie, III, 1932, Levi-Strauss', 1961, p. 115. p. 89.
p. 146 n. " Ibid., p. 94; also in Levi-Strauss, `Le Cru 70 Duchamp said this to Sweeney. Sanouillet,
26 Stéphane Mallarmé, Magie, 1893; et le Cuit', 1964, p. 29. Marchand, p. 114.
`Oeuvres completes' Pléiade, 1945, p. 400. 45 `Le Cru et le Cuit', p. 31. 71 'Where Do We Go From Here',
26a Wallace Fowlie, 'Mallarmé', 1953, p. 188. 46 Charbonnier, op. cit., p. 114. manuscript, 1961.
27 Sanouillet, op. cit., p. 113. 47 `Le Cru et le Cuit', p. 18. 72 Ad Reinhardt, 'Twelve Rules for a New
28 Ibid., p. 173. 48 Claude Levi-Strauss : `L'homme nu', Academy', in 'The New Art', ed Gregory
29 Michel Sanouillet, 'Marcel Duchamp and 1971, p. 614. Battcock, 1966, p. 200.
the French Intellectual Tradition', in " `La pensée sauvage', p. 206. 73 Katharine Kuh, op. cit., pp. 81,83.
Marcel Duchamp, catalogue 1973, p. 52. 50 `L'homme nu', p. 582. 74 Willis Domingo, 'Meaning in the Art of
30 Francois Caradec, 'Vie de Raymond " `Le Cru et le Cuit', p. 26. Duchamp I', Artforum 10 April, 1971, p. 74.
Roussel', 1972, p. 64. 52 Ibid., p. 24. 75 Anton Ehrenzweig, 'The Hidden Order of
" Velemir Xlebnikov, `Sobranie Proizvednij', Art', 1969, pp. 97,99.
V, 1933, p. 269. `L'homme nu', p. 579. 76 Ibid., p. 203.
32 Quoted in Henri Mondor, 'Vie de " Jean Piaget, `Le structuralisme', 1968, p. 7. 77 Arturo Schwarz, 'The Complete Works of
Mallarmé', 1941, p. 257. " Burnham, 'The Structure of Art', p. 3. Marcel Duchamp', 2nd ed., 1970, p. 195.
" Quoted in Marcel Duchamp, catalogue 56 Joseph Kosuth, 'Art After Philosophy I', 78 Anaïs Nin, 'Diary', II, 1967, p. 56.
1973, p. 276. Studio International, 915,1969, p. 135. 79 Paz, op. cit., p. 157.
Sanouillet, 'Marchand', p. 167. 56a Victor Burgin, 'Situational Aesthetics', 80 Quoted by Richard Kostelanetz, loc. cit.
35 Pierre Cabanne, 'Entretiens avec Marcel ibid. 81 Paz, op. cit., p. 145.
Duchamp', 1967, p. 14. " Ian Burn and Mel Ramsden, 'Stating and 82 Ibid., p. 156.
36 Jack Burnham, 'Unveiling the Consort II', Nominating', VH 1o1, 5, 1971. 83 Reinhardt, op. cit., p. 203.
Artforum, 9 August, 1971, p. 59. " Victor Burgin, Architectural Design, 84 See note 18.
u Jack Burnham, 'Marcel Duchamp, la August, 1970, quoted by Terry Smith, 'Art 85 Dore Ashton, 'The New York School',
signification de Grande Verre', VH 101, 6, and Art and Language', Artforum 12 June, 1973, p. 121.
1971, p. 65. 1974, p. 50. 86 René Berger, 'Art et communication',
38 Jack Burnham, 'The Structure of Art', " Art-Language, I, 1969, p. I. 1972, p. 116.
1971, p. 162. " Unsigned commentary (Atkinson's ?) on 87 Maurice Blanchot, `Le livre á venir', 1959,
39 Quoted by Patrick Waldberg in `L'unique an article by Lynda Morris in Art Press, 10, p. 265.
47