Page 61 - Studio International - January February 1975
P. 61

Quoted from notes by Marcel Duchamp   surely visited his brother Villon prior to   12  In unpublished manuscripts written for
         in D'Harnoncourt and McShine (eds),   1904 when he actually moved in with him.   the most part between 1910 and 1914.
         `Marcel Duchamp', New York, The Museum   'See Aaron Scharf's extensive discussion of   These are mostly rough drafts written in
         of Modern Art, 1973, p. 258.        events, publications and impact in 'Art and   French of Kupka's book, published in
         2  Ibid., p. 256.                   Photography', London 1968, pp. 162-208.   Czech in Prague in 1923: 'Creation in the
          Madame Denise Fedit of Paris, in   'Accompanied by a catalogue: 'Musee   Plastic Arts'. All these drafts are in
         preparing the Kupka inventory catalogue   Centennal de la classe  12  (Photographie)   private hands.
         for the Musée National d'Art Moderne   à l'Exposition universelle internationale de   13  The photographs reproduced here were
         (1966), found a prospectus for Reynaud's   1900 à Paris' (Bibliotheque Nationale.   chosen particularly for their relation to
         seances of 1896 or 1897 among Kupka's   Paris).                         Kupka and therefore do not show a linear
         personal papers. I am indebted to Madame   8   There is some confusion about exactly   progression, which was extremely common
         Fedit for her invaluable assistance and   what Kupka exhibited and for what he won a   in Marey's experiments.
         information (both published and unpublished   medal. However it is certain that he did   14  Duchamp, loc. cit.
         material) concerning this particular aspect   exhibit in 1900.          15 See Brian Petrie, 'Boccioni and Bergson',
         of Kupka's development.              I am indebted to Monsieur Michel Frizot   in The Burlington Magazine, vol. CXVI,
          Fedit dates The Horsemen 1900-02, based   of Dijon for bringing this contact to my   no. 852, March 1974, pp.
                                                                                  140-47.
         on conversations with Madame Kupka who   attention.                     10 Quoted in Petrie, op. cit., p.1 43.
         maintained that the drawing was done prior   10 G. H. Hamilton and W. C. Agee,   17  Karl Flinker Collection, Paris.
         to her meeting Kupka in 1903. Fedit alludes   `Raymond Duchamp-Villon', New York,   18  Quoted in B. Petrie, op. cit., P. 145.
         to the praxinoscope in her catalogue   Knoedler and Co., 1967, p. 41.
         discussion of this drawing.         10 E. J. Marey, preface to the catalogue
          In view of close family ties, Duchamp    mentioned in note 7 above.












































































                                                                                                                51
   56   57   58   59   60   61   62   63   64   65   66