Page 58 - Studio International - July August 1975

A corner of Francis Bacon's studio Andy Warhol in his studio
Photograph Peter Stark Photograph Ken Hyman
'Among suggestive writings asserting Bachelors, Even and Etant Données . . . have whose name is inscribed on the painting in
similarities between Sickert and Bacon are links in iconography and voyeurism with capitals by Sickert.
Max Kozloff, Sickert's Unsentimental Sickert's work, and whose Duchamp/ 9 1957, rep. Alley, op. cit., Fig. 140.
Journey', in Art News, April 1967, Selavy duality is paralleled by Sickert's 1° David Sylvester, 'Shapes in a Murky
pp.51-53 and 71-72, and John Russell, separate Walter/Richard personas, on which Pond', New Statesman, 4 June 1960, pp. 960-961.
Francis Bacon, 1971, p.118. see Baron, Sickert, 1973, pp.170-171. " Andrew Forge, 'The Confident Artist',
2 See Ronald Alley, Francis Bacon, 1964, The figure seated, hand on head, at the in The Listener, 16 June 196o, pp. 1051-3.
p.3o, for an account of the use of a gaming table in The System 1924-26, rep. 12 Andrew Forge, on Sickert's photo-based
photograph in a reproduced work of 1933. English Paintings from the Bevan Collection, portrait of Hugh Walpole in The Listener,
See David Sylvester, Interviews with Anthony d'Offay, April—May 1975 (19), 7 October 1965, pp.531-2.
Francis Bacon, 1975, p.38. has been identified with Sickert. ' 13 Sickert, 1973, pp.171-2.
See Alley, op. cit., p.28. ' Alley, op. cit., Fig 108. 14 This Sickert portrait, The Hon. Lady Fry,
5 Whose The Bride Stripped Bare by her 8Based on a photograph by Bertram Park, is now owned by the Brighton City Art Gallery.
38