Page 74 - Studio International - November December 1975
P. 74

FILM                                                 interviews. The Bristol festival should aim at a similar
                                                               'status' in GB.
                                                               Tony Hill film at Tate
          Report by Malcolm Le Grice                           From Friday 12 to Tuesday 23 December, Tony Hill will
                                                               show his Floor Film installation seven times daily.
          ICA Expanded Cinema Festival                         Though this version was completed this year ('75), he
          From Sunday 4 to Sunday 11 January, the ICA theatre   has made a number of films which are either designed
         and gallery will be devoted to an exhibition of British   for projection from above onto the floor, or from below
          Expanded Cinema. I have never liked the term, especially   onto a glass platform. The works are always to be viewed
          with the Gene Youngblood connotations, but a         from 'inside' the projection, in other words, standing
         significant amount of the new film work here in the last   directly on top of the image. The images of the film are all
         couple of years has explored territory somewhere between   chosen to fit this situation, like sequences shot from a
          multi-projection and performance. Very little of this has   tall building looking at the pavement below. The trompe
         any connection with the mind-expanding concept of     l'oeil effect of this installation is quite exceptional,
          multi-media or the light shows of the sixties. The   particularly in sequences where a fire spreads out from the
          predominance has been a broad development of the     centre and engulfs the audience. I would expect it to be a
         didactic, self-referential aspects of 'structural' film   big hit at the Tate if people actually find it and are
         (see Deke Dusinberre's article, page 219). Though no   encouraged to go in.
         selection of projects has been made at the time of
         writing, there will probably be work by Ron Haselden,   Long Film For Ambient Light
         Tony Hill, David Dye, Liz Rhodes, William Raban,      In case Anthony McCall, who is now living permanently
         Tony Sinden, Guy Sherwin, etc. Over forty-five        in NY, is not able to be in London for the ICA festival, I
         applications to present work were received, so I would   will quote in full the 'Notes in duration' which were an
         expect the emphasis to be on new projects rather than   integral part of his latest installation at the Idea
         being a 'historical' review of earlier work.          Warehouse, NY, in June.

          Second Bristol Festival of Independent Cinema
          If you found out about the ICA show too late to apply,
          then now is the time to make a proposal to the organizers   Long Film for Ambient
          of the Bristol Festival. The first festival, in February '75,
          made an important impact on awareness of the British   Light
          Independent Cinema (see my review, Vision, May/June).
          Mark two will be run from Saturday to Saturday,
          3-10 April '76, again within the Arnolfini Gallery, but   Notes in duration by
          this time in their new premises across the water at
          Narrow Quay. As before, the organizers are Independent   Anthony McCall, NY, June 1975
          Cinema West, and the co-ordinator is this time to be
          Paul Deacon. A selection committee has been appointed,   This film sits deliberately on a threshhold between
          and all the preparations are for a tighter selection and a   being considered a work of movement and being
          more structured format for the screenings. A greater   considered a static condition. Formalist art criticism has
          attention will be paid to seminars and discussions, with   continued to maintain a stern, emphatic distinction
          some films chosen to raise specific issues. The last   between these two states, a division that I consider
          festival paid token fees to film-makers for their    absurd. Everything that occurs, including the (electro-
          screenings, but this time they intend to pay £20 per hour   chemical) process of thinking, occurs in time. It is
          for films shown. As before they will do their best to   cultural habit that persuades us otherwise — perhaps a
          provide free accommodation to all those who visit from   function of intelligence, that breaks up perception of
          out of Bristol — priority given to film-makers involved in   continuous time into 'moments' in order to analyse them.
          the screenings. This scheme broke down a little in the   Our insistence upon static, absolute lumps of
          previous show, but even then alternative beds were   experience, as opposed to continuous, overlapping,
          found at 25p per night. The festival is open to any   multiple durations, shows a warped epistemology,
          direction or aspect of independent film including that   albeit a convenient one.
          covered by the ICA show. For details and application   Art that does not show change within our time-span
          forms write to ICW, 132A Queens Rd., Bristol 8.      of attending to it we tend to regard as 'object'. Art that
          Phone (0272) 38588. I hope that this time, national TV   does show change within our time-span of attending to it
          will pay some attention. German TV gives nightly coverage   we tend to regard as 'event'. Art that outlives us we tend
          to the Oberhausen Short Film Festival, with extracts and    to regard as 'eternal'. What is at issue is that we ourselves




























                   Anthony McCall Long Film for Ambient Light, Idea Warehouse, June 1975
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