Page 40 - Studio International - October 1969
P. 40

Perceptual fields are not experienced as   freely through space a few inches above the   3
     objects in themselves. Perception is a conti-  ground. The intention of this positioning was   Photo path 1969, 1 x 21 ft
                                                                                          A path along the floor, of proportions 1 x 21 units.
     nuum, a precipitation of event fragments   that the triangles should 'come into being'   photographed. Photographs printed to actual size of
     decaying in time, above all a  process.  An   gradually, in an additive fragmentary fashion,   objects and prints stapled to floor so that images are
                                                                                          perfectly congruent with their objects.
     object analogue may, however, be posited by   as they were approached. Their position with-  Photo: Roger Lewis
                                                                                         4
     locating points within the perceptual conti-  in view of a footpath increased the probability   25 ft two hours 1969
     nuum. Two rope triangles placed in Green-  of an optimum reading being effected.     An 8 x 5 in. file-card container moved, in a straight
                                                                                          line and by 1 ft. stages, through 25 ft. The container
     wich park earlier this year represent an   The triangles were serially ordered in space-  photographed at each of its 25 positions and each
     attempt to 'parenthesize' a section ofperceptual   time. Invariance in their reading, and there-  position identified by means of an index card from
                                                                                          the box. The alphabetical sequence of the cards
     experience in time. General instructions for   fore the apparent congruence of two actually   corresponding to the serial order of the stages.
     this work are:                            dissimilar perceptual fields, was ensured by   Photographs printed size 8 x 5 in. and filed in the
                                                                                          box under their respective letters of the alphabet
     1. Two units co-exist in time.            the familiarity of the equilateral triangle as a   5
     2. Spatial separation is such that units may   configurational archetype. Encounter with the   Memory piece
                                                                                          One of two similar- units 36 x 36 x 36 ft
     not simultaneously be directly perceived.   first triangle was not particularly notable, the
     3. Units isomorphic to degree that encounter   materials used are commonplace and the   attention would involve a mind 'out of focus',
     with second is likely to evoke recollection of   handling of them eschewed craft considera-  a self-induced suspension of cognition in
     first.                                    tions. It is conceivable that the first triangle   which experience is emotive but meaningless.
     By the above definition the units may be said   might enter consciousness at a subliminal   To focus, like this, upon pre-objective experi-
     to bracket the perceptual data subjectively   level (ropes are low in the hierarchy of sen-  ence is to be aware of movement, and atten-
     experienced between them The 'object',    sory experiences offered by Greenwich Park).   tion to motion reveals the ephemeral,
     therefore may be defined as consisting of   Encounter with the second triangle however   emphasizes the inconstant: 'The invariant
     three elements: First unit. Recollection of   emphasized recognition of the first by its in-  component in a transformation carries in-
     intervening space-time. Second unit.      voluntary recall. The intention was that the   formation about an object and the variant
     The first triangle in Greenwich park was con-  recollected image of the first configuration   component carries other information, for ex-
     structed using about 100 ft of ¼ in. rope held   would be mentally brought forward and   ample, about the relation of the perceiver to
     in tension between three 6 x 	                                                       the object. When an observer attends to cer-
                                    in. wire-
                                               superimposed upon the configuration im-
     strainers driven into the ground so that only   mediately available to the retina. Conscious-  tain invariants he perceives objects; when he
     the circular 'eyes' projected above the surface.   ness would be sent back through its memory   attends to certain variants he has sensations.'  6
     The rope was threaded through the eyes,   data assembling en route an object analogue   If we suppose a consistently non-cognitive
     pulled taut, and knotted. A second triangle   composed of recalled images, the relation-  response to experience by an individual
     was constructed in a similar manner on an   ships between these fragments to be governed   observing only the variant in his perception,
     opposite side of the park from the first. The   by personal associative propensities. The life of   then the only object of that individual's
     two triangles were equilateral, both measuring   this conceptual element might be brief though   attention would be his 'life object' as he pas-
     36 ft on each side, and sited so that neither   repeated path-tracing between the two cues   sively observes the perpetually present modul-
     could be seen from the other and so that   would probably favour a particular sequence   ations in his visual field. Conceptually, the life
     neither could be seen from any great distance.   of forms and impress them on the memory.   object is equivalent to any individual's total
     This latter condition was established by the   Because of the emphasis placed upon the   perceptual experience. However, the notion
     selection of gently undulating localities, the   perceiver's role in the formation of the   of an object assumes an exterior viewpoint.
     points of the triangles touching the slopes of a   `object' the specific nature of any such 'object'   From 'inside', subjective experience is a con-
     depression with the ropes between passing    is highly subjective. The required mode of   text,  within which objects are encountered
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