Page 64 - Studio International - August 1965

Artists and Designers in all parts of the world
are choosing WN colours and brushes for
WN superb quality.
You need only speak to them about
the materials they use for a few moments,
whether they work in Copenhagen or Sydney,
to hear Winsor & Newton praised.
There is no doubt at all WN Artists' Water Colours
are their first choice, they will gladly
wait until the colours they need are in supply,
if they happen to be out of stock in that particular
part of the world, for naturally the best is
always in great demand.
The same goes for WN Designers'Gouache,
renowned for their brilliance and reliability,
extensively used not only by designers but also by
artists who are first tempted and then charmed
by the alluring rang·e of colours which can serve
the textile designer and the landscape painter
equally well.
Some have been fortunate to try WN Aquapasto,
the jelly medium for use with Artists' or
Designers' water colours. Such exciting effects
can be achieved with this new medium,
transforming water colours so that they can be
applied in the same way as oils, slapped on
liberally with a painting knife or laid smoothly
in the thinnest glaze. All this without loss of
colour streng·th or brilliance. The new-found
versatility of water colours may rival the already
assured position of WN Artists' Oil Colours,
a tremendous range which caters for every style
of painting·, from abstract to Academy, supplying
all with the superlative quality upon which so
many artists rely.
Whatever the rang·e of colours used the answer
is the same when it comes to brushes, each and
every one hand-made by craftsmen, mainly
women, who devote their skill to ensure that
WN is the name passed from one artist to another
to indicate the world's best.

WINSOR & NEWTON

LONDON NEWYORK SYDNEY

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