Page 33 - Studio International - November 1965
P. 33

Taro  Okamoto


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                                                                                     books  and  a  number  of  essays  by  Taro  which  were
                                                                                     published  from  1954  onwards.  The  books  include  (I
                                                                                     give  English  translations  of  the  Japanese  titles):  The
                                                                                     Art of Today (1954), Art and  Youth and  The Traditions
                                                                                     of Japan  (1956),  The  Rediscovery  of Japan  (1958),
                                                                                     The  Forgotten  Japan-concerning  the  culture  of
                                                                                     Okinawa  (1961 ), and My Contemporary Art  (1963).
                                                                                      From 1952, the scope of Taro's artistic activities began
                                                                                     to expand remarkably.  His mosaic mural, Creation, for a
                                                                                     Tokyo  Subway station,  was the first in a long series of
                                                                                     mosaic and ceramic  relief murals,  including  large-scale
                                                                                     works for several theatres, factories, department stores,
                                                                                     railway stations and other public buildings.  He created
                                                                                     twelve  complete  walls  in  ceramic  relief  for  the  new
                                                                                     Tokyo  Town  Hall  (1956),  and  a  three-sided  mosaic
                                                                                     mural  for  one  of  the  stations  of  the  Tokyo  National
                                                                                     Railways  (1959).
                                                                                      In 1959,  too,  Taro first began to create sculpture:  his
                                                                                     16 ft. high stone figure Animal was commissioned for a







































                                                                                     recreation  park  in  Tokura,  northern  Japan,  that  same
                                                                                     year.  He  also  entered  the  field  of  stage  design  during
                                                                                     this  year,  being responsible for the decor of the opera
                                                                                     Lohengrin  presented  in  the  open  air  at  the  Tokyo
                                                                                     National  Stadium,  and  two  years  later,  for  the  Kabuki
                                                                                     drama  Totobuki  Futari  Sambaso  at  the  Toho  Theatre.
                                                                                      Just before  leaving on  a long  voyage in  1963 which
                                                                                     took  him  through  France,  Italy,  the  United  States  and
                                                                                     Mexico,  Taro  completed  two  separate  projects.  He
                                                                                     created a soaring,  tenderly  poetic sculptural monument
                                                                                     to his mother,  Kanoko, which was set up in  November
                                                                                     1962  on  a  hill  overlooking  the  river  Tamajawa  in  the
                                                                                     region  where  she  had  been  born.  And,  in  a  more
                                                                                     frivolous  spirit,  he  designed  a  100  ft.  high  aluminium
                                                                                     monolith  which  was  erected  at  Christmas  time  (a
                                                                                     festival celebrated by  Japanese  Shintoists  and  Budd­
                                                                                     hists  with  great  glee)  in  the  huge  square  fronting
                                                                                     Tokyo's  lkebukoro  Station-a  glorious,  gleaming
                                                                                     Merry  Pole  (as  he  named  it)  cunningly  illuminated
                                                                                     from within,  a marvellous,  magical  apparition at  night.
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