Page 50 - Studio International - November 1965
P. 50

Tropical Btrd 1960
                               Sun ,n 1he Moumain  1954                       Oil  on Canvas
                               Oil on Canvas                                 180 X  70  ,n


























































                               The Orange  1944
                               Oil on Canvas
                               60 X 81  In.
                                                                                  venture  into  abstraction  which  was  tempting  at  the
                                                                                  same period Delaunay in  Paris.  Kandinsky in  Moscow.
                                                                                  Mondrian  in  Amsterdam  and  Klee  in  Munich.  One
                                                                                  could see at the Galerie Charpentier paintings, such as
                                                                                  Vallombrosa.  Elan-Lumiere  (1916)  where the form had
                                                                                  justified  itself  without  apparent  reference  to  the
                                                                                  exterior  world.  His  mind  always  alert.  he  travelled  in
                                                                                  Germany,  Austria.  he  came  to  Paris.  he  exhibited  in
                                                                                  Italy  and  in  Berlin  at  the  famous  gallery  'Der  Sturm'.
                                                                                  In  1924 he returned to  Buenos Aires.  He was  to have
                                                                                  stayed  there  only a  few months but in fact he  stayed
                                                                                  thirty  years,  elaborating  a  span  of  work  which  con­
                                                                                  stitutes one of the most singular experiences ever lived
                                                                                  by a painter.
                                                                                   Far from Europe and its aesthetic struggles. away from
                                                                                  the ideas and initiatives of which  Paris was the active
                                                                                  centre.  Pettoruti  applied  the  principles  of  cubism
                                                                                  through  his  very  own  means  and  with  an  inflexible
                                                                                  will,  intransigeance  and  logic.  He  abandoned  it  only
                                                                                  after having exhausted all its resources.
                                                                                   It is not  Juan  Gris who carried the intentions of the
                                                                                  first  cubists  to  this  ultimate  consequence.  who  has
                                                                                  given  cubism  all  the  attributes  of  an  accomplished
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