Page 33 - Studio International - August 1966
P. 33

Michael Upton's drawing







                                A selection described by Patrick Procktor




                                                                                            Michael Upton's drawings are being
                                                                                            exhibited at the Piccadilly Gallery, Cork
                                                                                            Street, London, from August 2 to August
                                                                                            27. The drawings are all of architectural
                                                                                            interiors and exteriors, made during the
                                                                                            past year. Those reproduced here are of
                                                                                            rooms.
















                                                                                            The room in the first drawing is completely
                                                                                            invented. Perspective and light have been
                                                                                            employed to create a fastidious illusion.
                                                                                            In the room, though, the furniture—light
                                                                                            fittings, table legs, two gramophone pick-
                                                                                            ups—have been fragmented, distorted out
                                                                                            of scale and placed in a contradictory
                                                                                            perspective. The eye is brought back
                                                                                            deliberately from the illusion of the room
                                                                                            to the reality of the drawing.
        1965 Watercolour and collage                    All the drawings are on paper size 22 1/2 x 31 in.
        1966 Watercolour and collage
                                                                                            From the invented room we pass into the
                                                                                            invented bedroom. The series of discs in
                                                                                            centre is 'a section of a bed'—to me
                                                                                            unrecognizable. The artist has made his
                                                                                            bed, let him lie in it. Each fragment of each
                                                                                            piece of furniture is in a separate perspec-
                                                                                            tive. At right there is a bit of a leather chair
                                                                                            floating towards the ceiling. In this
                                                                                            drawing the subject is reduced to a starting
                                                                                            point, the final effect is non-objective.
                                                                                            Like Ozymandias, 'nothing beside
                                                                                            remains'—except the fastidiousness.
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