Page 48 - Studio International - December 1967
P. 48

I have said before, an image artist is either a rustic or a  say I have beautiful dark colours. I would then be a
                              rascal.'                                           decorative painter. But I'm not. Negative statements,
                               `Isn't a rectangular shape an image?'             absolutes.... There are all kinds of things going on in art,
                               `Louis and Noland made colour images. Mondrian  but they have nothing to do with the pretensions of a
                              doesn't have images. Albers made his square an image  serious painter. To be a Fine Artist is a serious activity
                              because he involves illusion. Preference for colour has  for me.'
                              nothing to do with the painting itself. You can like a   `How do you reconcile the pure act of painting with the
                              yellow Albers, or a blue Albers.... I naturally went into  business process of being shown? Do you have an agent?'
                              colourlessness. It's hard to use a light blue and not have   `No, I don't. Most artists do not want to show in
                              it become a window or a sky.'                      galleries. Selling is not a real painter's concern.'
                               `You mean it's become trite?'                      `But you sell your paintings.'
                               `All devices—collage, everyone painting, courses being   `I don't sell all of my paintings. I refused a prize
                              called design rather than art—all these things came from  because I make fun of prize winners. There's a rotten
                              the Bauhaus idea. Colour has nothing to do with art.  pattern of artists today moving from one gallery to
                              When talking about Impressionism, people talk about  another. I was always connected with Betty Parsons....
                              colour. I was looking at a Monet the other day, and  I don't think I'll show in galleries any more. That's why
                              when you really look at it, it has no colour. Seurat has  I wanted the Jewish Museum show.'
                              no colour, he has tiny dots. If you want colour you have   `What do you think of artists who buy their shows?'
                              to paint a large wall one colour. That's colour. All   `Some galleries take a third, others take 50 per cent.
                              painting has been dark. When you model you ruin a  Sometimes you have to pay for the catalogues and ship-
                              colour.'                                           ping. So it's not that much more to buy space.'
                               `If you say you are painting colourlessness, why do you   `Having a show is the only way an artist can be exposed.'
                              use colour?'                                        `That's why most of us teach.'
                                `I use it as a device. If I were to arrange my "bands" I   `Do you think the universities and colleges have a
                              would be back to colouring.'                       responsibility in this situation?'
                                `Why don't you just paint black?'                 `The Jewish Museum is interesting because it is freer
                                `I use colour to paint out colour. I often start out with  than the others and has more contemporary artists. It's a
                               bright colours and then paint them out.'          trend now for the universities to have contemporary
                                `You are not involved with religion or mythology, but  shows.'
                              do you have a conscious intellectual theme behind your   `You have been quoted as saying, "Limits in art are not
                               painting ?'                                       limits"; yet you have also been quoted as saying "I am
                                `Yes, but I don't have an idea beforehand.'      painting the last painting anyone can paint." Are these
                                `You indicate you don't like Surrealism, but automatic  quotes correct?'
                               painting is part of Surrealism.'                   `Yes. Many of my statements seem contradictory.
                                `I guess I do. You almost have to ...but it isn't as if you  Picasso and Monet were to have painted the last paint-
                               know how it's going to look at the end. All Surrealists are  ings. The Impressionists were called crazy. They took the
                              anti-art. They are pro-something else. Pro-life. You see,  worst beating. Poussin painted the last painting, and in
                               painting the unconscious can't be aesthetically checked.  a real sense he did because Rococo and Mannerism
                              You can't aesthetically check someone who is painting  broke up his elements. Ingres painted the ultimate....'
                               the Bomb.'                                         `If you are painting the last paintings, isn't that a
                                `When I speak of Surrealism, I don't mean Dali; I mean  limit ?'
                               Matta.'                                            `Well, this is the first of the last.' We were both laughing
                                He turned his head expressing mild disgust.      at this point.
                                `What do you think of an artist who is not fraudulent,   `You seem to enjoy aggravating the uninformed.'
                              and is making a sincere expression?'                `Yes.'
                                `Sincerity does not enter it at all. If one is not tricking   `Are you experimenting in your painting, or any other
                               the people, or trying to attract attention, he is a hillbilly  media ?'
                               or a primitive.'                                   `I don't like the word experimenting,  because it implies
                                `What is your attitude toward the concept of originality ?'  some use (in the scientific sense). Artists play around,
                                `If someone paints my ideas, it is his painting.' He sat  they don't experiment.
                               back. 'This question of anonymity vs. personality,   `Art is not a game—playing around is serious.... Yes,
                               originality v.s. copying. It isn't possible to be original  I'm experimenting.'
                              and not possible to do something that isn't original. It   `How do you react to the so-called Psychedelic painting,
                               isn't a real issue. I'm making a painting, not for me, but  to Op, Systemic, Pop Art ?'
                              for everybody ...what everybody should be doing.'   `I'm against the mixture of the arts, happenings, blurr-
                                `In college and graduate school, many instructors have  ing the limits.'
                              the reputation of giving poor grades to those who do not   `But isn't the outside world of the artist blurred today?'
                               paint in the style the instructors prefers. Do you think a   `Yes. There is no reason for art to be that way. Art is
                              student should be allowed to paint in the style he prefers  not a part of the world.'
                               in order to find himself as an artist?'            `Does an artist shut out the world?'
                                `Encouragement ? I don't know ... you can only make   `Artists who paint in the street are not artists. You don't
                              absolute statements negatively. Positively, one would   see anyone painting in the street. Do you?' He sensed
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