Page 50 - Studio International - December 1967
P. 50

LONDON                                   Gene Baro has assembled a most impressive collec-  Moonstrips Empire  News;  fifty artists proofs were
                                               tion for the exhibition of `Translatlantic Graphics  also printed). Lithographs are rarely printed in
                                                      at the CAMDEN ARTS CENTRE. We are not  editions of more than seventy-five—any edition of
      commentary by                            1960/67'
                                               accustomed in this country to take the print so  over seventy-five becomes subject to purchase tax.
      Charles Harrison                         seriously. First some statistics. There are 218 prints  With a srceenprint there need be no perceptible
                                               by sixty-one artists of whom one-third are Ameri-  loss of quality or of definition even in a highly
      Transatlantic Graphics 1960167
      Camden Arts Centre; Paolozzi's Universal   can and two-thirds British. Approximately half  involved print in an edition of 550. The tendency,
                                               the prints involve a screen process (some sixty of  so far as one is discernible, is towards larger edi-
      Electronic Vacuum—Alecto; Picasso's
      Vollard Suite—Redfern; Picasso etchings   these were produced in London at Kelpra  tions and more automated processes.
                                               Studio). Of the rest eighty-four are lithographs;   The English lithographers tend to look distinctly
      and aquatints—Lumley Cazalet.
                                               seven are etched or engraved; one artist, Cohn  old fashioned. Alan Davie, William Scott, Elizabeth
                                               Self, makes dyeline prints; Michael Rothenstein  Frink, Ceri Richards, even Hockney and Allen
                                               bears alone the banner of the wood or lino cut.  Jones; their works have the air of private pre-
                                               Editions vary from one (Kim Lim) to 500 (Paolozzi   occupations privately—often coyly—worked out.






                                                                                                    Far left
                                                                                                    Andy Warhol
                                                                                                    Self-portrait 1966
                                                                                                    Screenprint
                                                                                                    22 x 22 in.
                                                                                                    Edition of 300
                                                                                                    Leo Castelli Gallery, N.Y.
                                                                                                    Left
                                                                                                    Richard Hamilton
                                                                                                    Pm dreaming of a white
                                                                                                    Christmas 1967
                                                                                                    Screenprint
                                                                                                    30 x 41 in.
                                                                                                    Edition of 75






                                                                                                    Far left
                                                                                                    Ellsworth Kelly
                                                                                                    Cyclamen 1965
                                                                                                    Lithograph
                                                                                                    35⅝  x 24⅜  in.
                                                                                                    Left
                                                                                                    James Rosenquist
                                                                                                    Spaghetti and Grass 1965
                                                                                                    Lithograph
                                                                                                    30 x 20 in.
                                                                                                    Leo Castelli Gallery, N.Y.
                                                                                                    Right
                                                                                                    Eduardo Paolozzi
                                                                                                    Sun City
                                                                                                    Screenprint
                                                                                                    Edition of 75
                                                                                                    Editions Alecto

                                                                                                    Far right
                                                                                                    Gillian Ayres
                                                                                                    Lorenzo the Magnificent and
                                                                                                    Niccolo the Gear
                                                                                                    Screenprint
                                                                                                    30 x 22 in.
                                                                                                    Edition of 75
                                                                                                    Editions Alecto
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