Page 19 - Studio International - December 1971
P. 19

Atget                                     Between 1898, when he became a photographer   to talk about an entity called Atget if one has not
                                                      at the age of forty-one and his death in 1927,   had the opportunity to inspect at least the greater
            and the city I                            Eugene Atget made literally thousands of   part of what he did ? I think that one can, and I
                                                      photographs of Paris and its environs.' He was   propose to engage in some fairly substantial
            John Fraser                               unquestionably one of the supreme twentieth   generalizations about his work—more substantial
                                                      century artists in any visual medium, he was one   and more complex ones than have been
                                                      of the most heroic, and the image of him going   attempted so far.4
                                                      out indomitably year after year under the    Actually the undertaking is by no means so
                                                      `dreadful weight'  2  of his old-fashioned camera,   rash as it may seem. True, to judge from one or
                                                      wooden tripod, and glass photographic plates is   two surprises in the last few years, there may
            An exhibition of 118 photographs by Eugène Atget
                                                      as compelling to the imagination and deserves to   well be pictures still to come that are as great as
            will be shown at the ICA, London, 18 December-
                                                      be as well known as those of Van Gogh and   any by Atget that we now have in print. It is
            23 January 1972. This has been selected by the
                                                      Cezanne in the grip of their comparable   particularly tantalizing, for example, to read of
            Museum of Modern Art, New York, from its
                                                      obsessions with locales. What is more to the   his 'hundreds' of photographs of trees and
            collection. Many of the photographs are in the
                                                      point, so does his work. Yet the very abundance   flowers5  and to have to imagine what his brothel
            collection of the Bibliothèque Nationale, Paris.
                                                      of that work, given the fact of his genius, can   series is like on the basis of half-a-dozen
            In this article on the great photographer (first   have an intimidating effect on the would-be   exteriors and one magnificent nude. (Is it in the
            published in the Cambridge Quarterly, summer   critic of it, at least if he suffers from a scholarly   latter series, for instance, that one finds the
            1968), the author concludes that photography   conscience. Only about five hundred different   picture of 'a negress which irresistibly recalls
            has been slighted as an art-form, and that the
                                                      pictures by Atget out of those several thousand   Gauguin' ?6) But the very fact that Atget worked
            achievements of the finest photographers equal or to   have been reproduced in books and periodicals,   so much in terms of series —Miss Berenice
            surpass those of the finest twentieth-century   and the editor of one of those books has   Abbott, the preserver of many of Atget's
            painters.
                                                      declared that `Atget's complete work has not   pictures, his most helpful commentator, and his
                                                      yet undergone thorough scholarly scrutiny,   best editor, reports that there are twenty-five in
                                                      and this immense store of visual source material   ally —is reassuring. Atget, says Mr Arthur D.
                                                      for history, art and architecture remains almost   Trottenberg,
                                                      untapped.'3  Can one, then, reasonably offer    `took almost no isolated photographs. He treated
            i Female nude on bed
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