Page 54 - Studio International - September 1971
P. 54

Multiples                                  own editions include recent multiples by
                                                                                           Spoerri and Sol LeWitt, but—although
                                                in Holland                                 incredibly cheap—they are already on the
                                                                                           expensive side for Dutch sales. At least half the
                                                                                           editions disappeared straight over the border.
                                                                                           Further multiples and prints are by Visser (a
                                                                                          smaller version of his project at Sonsbeek),
                                                                                           Henneman, Slothouber & Graatsma, Buisman,
                                                                                           Muller, Petersen, van de Nieuwelaar and Pieter
                                                                                           2
       involved in the production of inexpensive   For the Dutch—if they are going to buy
       multiples by using advanced techniques, in   multiples at all—they must be cheap. And we
       particular injection-moulding, is Maximal   just do not seem to be able to make them both
       Ltd, who to date have only produced one   good and cheap. It is not the ideas that are
       multiple, Rory McEwen's Moonshine, but hope   deficient—but the necessary financial backing.
       eventually to produce others. Their somewhat   When the multiple boom hit Holland,
      slow progress points up the difficulties attached   everybody thought that just about anything
      to involvement with sophisticated technology   made in editions would sell, damn the quality
      for a non-functional end, as well as those of   and damn the price, there's money to be earned.
       distribution for someone producing really   A miniature multiple war escalated in the
      cheap articles in large quantities.       Lowlands for one year, and that was it.
         Some of the multiples already mentioned   Generally speaking we are not really a
      are stocked by a number of galleries, but there   multiple-minded country. The really good
      are other galleries like the Marlborough, who   multiples seem to be made elsewhere, and
       carry multiple work only by gallery artists.   anyway are already getting inordinately
       They have a number of Tilson works, including   expensive : those who know a bit about what is
      a series of screenprints with collage, Two   going on know that they can get the real thing for
      wrist-watches in vacuum-formed, chromium-  the same price, and for others it is too dear.
       plated polystyrene, and Pentomino,          So where does that leave us ? Mainly with
       cellulose on vacuum-formed acrylic; Soto's   very good prints at reasonable prices, and very   Brattinga.
      jai alai  suite, a series of acrylic and metal   few multiples by Dutch artists—with even fewer   Which brings us back to prints again.
       constructions; Robert Owen's kinetic reliefs   produced in Holland by foreign artists. But   Holland's foremost printer, Piet Clement,
      in acrylic and aluminium, and Peter Clapham's   then there are always exceptions.   started his printshop in Amsterdam some time
       perspex constructions. Some of the smaller   More as a gesture to get things straightened   ago with beautiful single prints and editions of
       galleries have particular items : the Ceramic   out than anything else, Jan Juffermans, art   Lucebert, Raveel and Constant. There is
      snakes of Patrick Hughes at Angela Flowers,   critic for several Dutch dailies, threw a bomb   another printshop on the Amsterdam scene,
       Tadek Beutlich's multiple tapestries at the   by creating `Mucheapels' (prices around   Abrams, with expensive but nonetheless
       Grabowski, and Berrocal's Romeo and Juliet and   f20—all signed by the artist, unlimited edition).   beautiful prints of Steinberg, Frankenthaler,
       Mini-David at Anneley Juda.              The best works are by Van Munster, Kuik and   Marisol, Wesley, Oldenburg and others.
         Other publishers not working through a   Maters. The whole edition can best be      The Netherlands Kunststichting is
      gallery who have shown an interest in multiples   compared with Edition Tangente, although the   organizing a touring exhibition of Dutch
      include the Petersburg Press with items like   latter are much more seriously active.   multiples. Curiously enough I could get no
      the Allen Jones's Shoe Box—a box containing a   Juffermans just wanted to make a point.   details as to which works would be included.
      series of prints together with an aluminium   This really leaves us with Seriaal in   Which just about sums it up. There is really not
      sculpture—and the Duchamp/Hamilton glass   Amsterdam, quite honestly the only serious   much of a multiple scene in Holland at the
       The Oculist Witness, and Nigel Greenwood Inc.   multiples dealers in the Netherlands, with a   moment, apart from Amsterdam. q
      who has brought out perspex Light Boxes by   wide range of stock of very good quality. Their   RITSAERT TEN CATE
      Malcolm Carder, and multi-media works by
      David Tremlett.                                                                     3
         Mention should also be made of activity
      outside London, where the Welsh continuously
      and the Scottish Arts Council more recently
       have been conspicuous in the support they
       have given to multiple exhibitions. Among
      galleries, the Ikon in Birmingham and the
      Arnolfini in Bristol have been consistent in
      their interest.
         What it has not been possible to mention in
      this brief survey is the large number of multiples
      made by individual artists, which because of
      the limitations of both the production and                                            Lizzie Olsson-Arle
       distribution system in action, and most                                             The Swedish Gap 1970. Plastic, wood, edition 525
      particularly the tie-up between the two, will                                        Kunstfrämjandet
      probably never be as widely seen as they                                            2  Slothouber/Graatsma
      should be. q                                                                        Plastic Cube. Seriaal
                                                                                          3 Marcel Broodthaers
      ROBERT THOMAS
                                                                                           Modèle: La Pipe 1968.85  X 120 cm, edition 7
                                                                                          Photo: courtesy of the Wide White Space Gallery
      96
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