Page 48 - Studio International - February 1972
P. 48

Artists and groups who participated, other
     `In another                               than those illustrated on these two pages,

     moment': a recent                         were Robert Barry, Grupa/E KOD, Grupa
                                               OHO, Douglas Huebler, Jannis Kounellis,
                                               David Lamelas, John Latham, Sol LeWitt
     Belgrade exhibition  and Ian Wilson.


                                                Symbol for the Belgrade exhibition. 2 Zagreb, April
                                               1971—day before exhibition; day of exhibition;
                                               day after exhibition. 3 Giovanni Anselmo Right
                                               Side 1970. 4 Alain Kirili 1-2-3-4.5 Daniel Buren A
                                               photo from the previous page chosen by Mr Cepo Kaleb
                                               is as distant from the work of Daniel Buren as the photo
                                               of his work. 6 Barry Flanagan July 1971. 7 Stanley
                                               Brouwn La Paz 1970. 8 Jan Dibbets Flow 1970.
                                               9 Braco Dimitrijević  Casual Passer-by I Met at
                                               10.33 am, Beograd 1971. 10 Joseph Beuys To Think
                                               With One's Knees ! 1970. 11 Victor Burgin A 1/2 A 2/2
                                               1969. 12 Goran Trbuljak Sound Project 1971.
                                               13 Lawrence Weiner Broken Off 1971.







































     In April 1971 Braco and Nena Dimitrijević
     organized an international exhibition entitled
     `At the moment' of the work of 16 artists and 3
     art groups in the entrance hall of an ordinary
     apartment house on Frankopanska Street in
     Zagreb. The purpose was to exhibit in a
     `non-institutional space' and to make of it 'a
     centre of interest and information—but not to
     establish it'. The exhibition lasted only three
     hours, but received TV and radio coverage.
        Last September the two organizers followed
     up this initiative by putting on—this time in a
     Belgrade gallery—an exhibition entitled 'In
     another moment'. This ran for 3 x 5 days with
     intervals of one day in between. During these
     breaks the exhibition was rearranged (but not
     added to) by other members of the gallery
     staff. (Tor practical reasons we did not
     engage completely unknown people, although
     this possibility is not excluded.') The purpose
     of such rearrangement was to dispense with
     categories of 'taste', 'professionalism', and
     `knowledge of the works and their authors'.
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