Page 24 - Studio International - October 1972
P. 24

Feedback                                  concerned with social and political themes, as   a scene-setting piece for the symposium. Many
                                                 well as aesthetics. The ideas of Max Raphael are   of the articles are fairly technical and are
                                                 discussed, as are those of Herbert Marcuse (one   concerned with practical applications of the
                                                 source of the latter's views being his contribution   computer to the production of artworks or to
                                                 to On the Future of Art, essays introduced by   research into perception. One of the
                                                 Edward F. Fry, published in New York by The   contributors is Gustav Metzger who writes
                                                 Viking Press in 1970 at $7.50); for a change, in   about science, technology and society and his
                                                 an article which discusses art and politics, there   large scale sculptural project which employs a
                                                 is no denunciation of particular styles.   computer. He is also editor of PAGE Bulletin of
                                                   Also in this volume is a new translation of   the Computer Arts Society (£1 or $3 per year
         [It is intended that this column will draw   Theo van Doesburg's 1919 article 'From   from Alan Sutcliffe, ICL, Lovelace Road,
       attention to articles in other magazines, to new   "Nature" to "Composition" : Observations on   Bracknell, Berkshire) which appears eight times
       magazines, to exhibition catalogues and other   the Development of an Abstract Painting', which   a year. While it is often little more than a
       publications that are not normally discussed or   is accompanied by eight sequential illustrations,   well-printed folded sheet, each issue is densely
       reviewed widely, as well as to other media of   the first of which is a photograph, the rest being   packed with a large amount of diverse
       communication relevant to the visual arts,   paintings. The text is really more relevant now   information and news about art and computers
       regardless of origin. If it is to be useful, however,   than the illustrations, since, taken as a series,   from all over the world. The Computer Arts
       much depends on feedback to 'Feedback'; copies   they suggest a very literal interpretation of   Society has branches in the USA and the
       of publications will be welcomed, and will be   abstraction. The text/commentary refers to a   Netherlands, and an early issue of PAGE, guest
       considered for inclusion along with news from   process which commences with destruction   edited by the latter, was published to coincide
       producers or consumers. Items should be sent to   (fragmentation) and ends with an harmonic   with the release by the Dutch Post Office of
       Clive Phillpot, ' Feedback' , Studio International,   reconstruction; van Doesburg also makes an   some attractive stamps with computer-generated
       37 Museum Street, London WC1 . Clive Phillpot   illuminating aside about the difference between   designs.
       writes this column in his personal capacity, and his   a photograph and a painting of the same subject,
       views should not necessarily be taken to represent   which parallels points made in Bohm's article.   Returning to that part of the spectrum of art
       those of the body for which he works.]      Bornstein himself has an article entitled   propounded by and most frequently illustrated
                                                 `Toward an Organic Art: Ecological Views of   in The Structurist, it is worth drawing attention
       The eleventh issue of The Structurist appeared   Man/Nature'. This is a stimulating discussion   to the excellent catalogue of the Arts Council
       recently. It is published annually from the   which reviews the origins of the organic idea,   touring exhibition of the work of twelve artists
       University of Saskatchewan, Saskatoon, Canada,   glancing at philosophy and art history,   working in England along related lines and
       costs $4.5o, and is edited by Eli Bornstein. The   particularly of the Romantic period but also of   entitled Systems (see 'Notes on the context of
       articles are freely contributed by the authors and   this century, and touching on a variety of   "Systems"' by Malcolm Hughes in the May
       artists, and while most of these are invited,   interconnected and important topics.   1972 issue of Studio International for the
       unsolicited manuscripts are also considered for   The last article by Ian McHarg, chairman of   background to the catalogue). This is another
       inclusion. There are no advertisements.   the Department of Landscape Architecture and   very well produced publication, with a first rate
         The Structurist was founded in 1960. The   Regional Planning at the University of   introduction by Stephen Bann and clear
       name 'is meant to suggest formative, organic,   Pennsylvania, entitled 'Architecture in an   illustrated discussions of their work by each
       integrative ideas/principles/processes/    Ecological View of the World' is both lively and   artist; at only £o.80 it is very good value.
       approaches. The structurist artist as "a builder"   closer to ecology proper. A short piece by Frank   Catalogues of several exhibitions which
       is concerned with the building/growing     Lloyd Wright on Organic Architecture,     include works by some of the progenitors of the
       processes of creation in Art and Nature', and not   reprinted from The Future of Architecture, 1958,   'Structurist' and 'Systems' artists are now
       with adherence to particular 'isms'. Light and   endeavours to clear up some misunderstandings,   circulating. There were two exhibitions of
       order emanate from the pages of the eleven   and Ronald Jones on the Golden Section and   Russian art in New York State last year; the
       issues, from the type on the page, the    Jill Purce on the Spiral in Art provide compendia   catalogue of the first, Russian Art of the
       photographs, and the works reproduced, to the   of sources on their respective topics and   Revolution, is published by Cornell University
       articles themselves. Early issues included works   jumping-off points for further thought.   and includes a brief introduction, a chronology,
       and statements by Charles Biederman.                                                 brief biographies of the twenty artists
         Number i t is entitled 'Issue on An Organic   The latest issue of bit international, number   represented which include excerpts from their
       Art: Ecological Views of Man/Nature', and like   seven, also concerned with interdisciplinary   writings, and black and white reproductions of
       most of the previous issues it is largely   activities, has also appeared after a longish   the 63 works — some good things from the
       future-orientated. An equally relevant title   interval; it is a very substantial number, 169   Busch-Reisinger Museum, Harvard University.
       would be that of the first article (by David   pages, and is devoted by contrast to a 'dialogue   The second exhibition 'Russian Avant-Garde
       Bohm): 'Fragmentation and Wholeness', since   with the machine'. The magazine is published   1908—I922' at the Leonard Hutton Galleries
       this theme permeates nearly every other article.   by Galerije grada Zagreba, Katarinin trg 2,   was larger, and so is the catalogue. A high
       David Bohm is Professor of Theoretical Physics   4I000 Zagreb, Yugoslavia, it costs £I .15, is   proportion of the I20 exhibits are illustrated,
       at Birkbeck College, London University, but his   edited by Bozo Bek, and also contains no   mostly in rather lurid technicolour, and there
       article is by no means merely concerned with   advertisements. Most of the articles derive from   are several photographs of the artists. John E.
       modern physics for the artist; its central concern   the papers read at the I969 Zagreb symposium   Bowlt contributes a short historical survey which
       is the need for a new but adaptable world view   Computers and Visual Research. Each of the 20   incorporates several translations from Russian
       that will facilitate a reversal of the processes of   papers is in Serbo-Croat but with a parallel   sources, some of which are unfamiliar. The
       fragmentation in our society. Linguistics   translation in either English or German,   catalogue also includes a chronology, and a
       provides a convenient approach to the problem,   predominantly the former; contributors hail   useful list of definitions and explanations of ten
       which involves art, science, mathematics and   from Germany, the Netherlands, Japan, the   of the abbreviations and acronyms that were
       ultimately metaphysics. This article sets a high   UK, USA, Canada and Yugoslavia.   spawned after 1917. Larionov and Goncharova,
       standard for those that follow.             There are fewer wide-ranging articles in this   Malevich, Rodchenko and El Lissitzky are well
                                                                                             represented.
         'A Free Art for Free Men' by Willis Truitt   magazine. Vera Horvat Pintaric's 'Today's
       complements Bohm's approach since it is    Research and Tomorrow's Society' is in effect    CLIVE PHILLPOT
       116
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