Page 22 - Studio International - May 1973
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The State itself, separate from the museums,   occasion. The state institutions of course had to   not by the museum where the show takes place.
     used to acquire art through committees for   follow suit and most municipal museums now   The committee can appoint ad hoc
     painting, sculpture, graphic arts, applied arts   also have an item on their yearly budgets for   commissioners for certain projects, but the
     and monumental art. Most committees used a   loan rents.                             commissioner for the Biennale in Venice, for
     programme that permitted practically all Dutch   Dutch artists can apply to get money from the   example, is nominated by the Council of Arts
     artists of any standing to sell something at least   so-called State fund for experiments.   and appointed by the Minister of Culture. He is
     once every four years. But it became more and   Applications are also possible for scholarships,   always chosen to do three Biennale's and he
     more difficult to find a destination for so much   travel grants and stipends; sometimes the   forms a programme committee with at least two
     art. Also what was bought through the years   State is also willing to help individual artists or   other members.
     never really amounted to a collection. The   groups to finance a publication or an exhibition.   There has been a lot of talk about
     system has recently been changed. The State   Two major State policies in the arts have now   incorporating everything that has to do with
     now buys Dutch contemporary art to form   been effective for more than twenty years. Both   foreign cultural relations in some kind of a
     coherent collections that can be sent around as   are severely criticized, but they are nevertheless   Dutch institution like the British Council, the
     exhibitions. The choice of collection themes is   unique. A Dutch artist in need can apply to the   Goethe Institutor the Alliance Francaise. The
     made by a programme committee, each       State for help. He will usually get it through the   difficulty being the barrier of the Dutch
     collection by a project group. Artists are well   municipal authorities in the town where he lives.   languages.
     represented in these advisory bodies. The   One has to be of a certain age, of good behaviour,   A short description of the five major modern
     Netherlands Art Foundation (N.K.S.), a 100%   an acknowledged artist, who has been able to   art museums might clarify some of the aims and
     State subsidized private foundation, serves as a   live from his art for a specified period, etc. At the   policies of the Dutch museum world.
     clearing house to arrange exhibition tours   other end of the red tape, considered restrictive   The Stedelijk Museum in Amsterdam, run
     throughout the country and abroad.        and patronizing by the artists, the government   by the city but actually serving as the national
     Representatives from practically all the smaller   buys art from the artist and pays him in weekly   museum of modern art, gained world renown
     museums and cultural centres regularly meet to   instalments. This is repeated as long as necessary.   during the post-war Sandberg years, as one of
     discuss and plan nationwide tour schedules for   If the artist has other sources of income a   the most active and inventive centres for the
     exhibitions both of Dutch and foreign art. A   similar amount is discounted from his welfare   propagation of the avant-garde. Through its
     measure of the cooperation between Dutch   earnings. This means that it is difficult to get   support of new ideas the museum acts as
     museums can also be found in the art magazine   out. What the artist earns is slightly more than   a catalyst between the art of today and its public.
     Museumjournaal, a joint effort of 18 museums   the minimum welfare rate. The arrangement has   The museum continues to present the most
     and galleries. The journal started in 1955 and it   certainly helped many artists through a difficult   extensive programme of national and
     is now the only Dutch magazine specializing in   period in their career. It became too easy on the   international exhibitions in the country. During
     modern art. This year for the first time a yearly   other hand to go from the Academy of Fine Arts   the last decade they have enlarged and enriched
     selection of articles mainly on Dutch     to the welfare system or to see it as an early   the permanent collection, which now gives a
     contemporary art will be published in English.   retirement pension. The rules have now been   good survey of Dutch 20th-century art and one
       There are only too few important private   changed and tightened, but the artists still   of the best selections of international modern art
     collectors of modern art in the Netherlands.   demand a complete overhaul of the whole idea.   to be found in Europe. A speciality is the large
     The country abounds in commercial galleries,   What to do with all the art that piles up is one of   and representative group of paintings, drawings
     especially in Amsterdam, but only very few   the headaches of the system.            and documents by Kasimir Malevich. The Van
     have international standing and none have the   A few European countries have now also   Gogh collection, on loan in this museum since
     financial means for long-term effective support   established something that is known in the   the thirties, is to go to the new Vincent van Gogh
     of a 'stable' of artists. The domestic market for   Netherlands as the 1 %-arrangement. Of all new   State museum next door, opening in June this
     Dutch art is rather weak. The State decided to   buildings put up by the State, 1% of the cost of   year.
     promote art acquisitions by the general public   construction may go to the application of art.   The Museum Boymans-Van Beuningen in
     through a special system of subsidies. A Dutch   This is not a law, it is a possibility, mainly used   Rotterdam, also a city museum, is mainly known
     private person who buys a work of art by a living   in relation to University buildings, schools,   for its magnificent collection of old art:
     Dutch artist in a commercial gallery (not in the   hospitals and representative government   paintings, drawings and applied arts. In the
     artist's studio) priced at not more than 3,000   buildings.                          sixties the museum embarked on an ambitious
     guilders gets 20% off that price with a     Municipal authorities adhere to the system   programme of modern art acquisitions. It is now
     maximum of 24.0 guilders paid by the State.   and many of the larger private companies follow   the only Dutch museum where a representative
     This system is one of the most effective and   a similar practice. The results vary. There is   selection of surrealist painting can be seen.
     least criticized State initiatives in the domain   some good sculpture and a few interesting   The Municipal Museum in The Hague has
     of the fine arts.                          murals. Recently some promising integrated   departments for the history of the city, musical
       Dutch artists and especially the more radical   environmental projects related to new housing   instruments, old applied arts and 19th- and
     artists unions are involved in a discussion with   developments have been started. The general   20th-century paintings and drawings. The
     the government about the necessity of a    level is rather senseless and second-rate. Many   collection of modern art, mainly Dutch, is known
     guaranteed minimal State income for artists.   Dutch artists, especially sculptors, find a basic   for its 15o plus works by Piet Mondrian
     The idea is not as utopian as it seems. Most   living through this sort of commission.   representing all periods in his oeuvre.
     Dutch actors and musicians are practically civil   There is a so-called coordinating committee   The Kröller-Müller State Museum at
     servants nowadays. The following could be seen   that channels the flow of exhibitions going   Otterlo is situated in the middle of the National
     as a first instalment toward such an arrangement.   abroad and exhibitions coming to the   Park north of Arnhem. The park (15 000 acres)
     Whenever an artist grants a loan to the State, be   Netherlands. The three Art Departments of the   is still owned by a private foundation. The
     it one work or a retrospective one-man show, he   Ministry of Culture and the Cultural   museum features the once private collection of
     gets paid a loan compensation. Or in other terms   Department of the Ministry of Foreign Affairs   Mrs Helene Kröller-Müller giving a broad
     the State pays rent whenever it wants to use   are represented. The directors of the above   outline of 19th- and 20th-century French
     Dutch art for whatever purpose, inside the   mentioned seven museums and a representative   painting, including the impressionists, Seurat,
     country or abroad. For this a fairly simple tarif   of the Council of the Arts hold permanent seats.   Picasso, Gris and Leger, with 272 paintings and
     system has been fixed with an absolute     Such exhibitions are usually financed directly by   drawings by Vincent van Gogh as the centre
     maximum of  200 guilders per person per    the Department of International Relations and    of interest. These works by Van Gogh will

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