Page 42 - Studio International - May 1973
P. 42

J. C. J. van der Heyden

                            Blue Cross and Perception





                                                                                          Blue Cross 1965-66 and Perception 1966, two
                                                                                          paintings by J. C. J. van der Heyden (born
                                                                                          1928), reflect two complementary themes that
                                                                                          recur in his work. Each one is a closed visual
                                                                                          object and both tell about painting in a different
                                                                                          way.
                                                                                            Blue Cross, with its subtle asymmetrical shape
                                                                                          that does not extend to the edge of the canvas,
                                                                                          shows a delicate balance between deep blue form
                                                                                          and white background. The background, by its
                                                                                          enclosing shape, gets a strong, independent
                                                                                          character that matches the visual force of the
                                                                                          cross.
                                                                                            At the same time there exists an obvious
                                                                                          tension between the forms that are represented
                                                                                          and the materials used. The presence of paint
                                                                                          and canvas is strong; form and material fight for
                                                                                          supremacy as with many of his paintings of this
                                                                                          type (e.g. squares and 'gates' on a plain
                                                                                          background). In his graphic work, especially his
                                                                                           coloured relief prints, one senses the same
                                                                                           tension between the preservation and
                                                                                          suppressing of the original shapes that were used
                                                                                          in constructing the print.
                                                                                            Perception presents an assemblage of
                                                                                           heterogeneous, visually equivalent images
                                                                                           without hierarchy; it studies ways of seeing and
                                                                                           representing, the meaning of visual symbols and
                                                                                           its change; it comments in an ironical way on the
                                                                                           ambiguities of forms, on the traditional sizes and
                                                                                           materials of painting, on the relations between
                                                                                           visual elements. This happens in an apparently
                                                                                           loose, but in reality carefully constructed way.
                                                                                           To van der Heyden it offers the opportunity to
                                                                                           introduce autobiographical elements, a tendency
                                                                                           that is even stronger in his prints and drawings
                                                                                           (e.g. a series of eight drawings together, one
                                                                                           from each year between 1963 and 1970, called
                                                                                          `0,000.000.3178 Hertz'). q
                                                                                           KEES BROOS











                                                                                          (Top left)
                                                                                           Page from a series of 12 relief prints
                                                                                           Book z and 2 1965
                                                                                           64 x 50 cm
                                                                                           The Hague Gemeentemuseum
                                                                                          (Bottom left)
                                                                                           Perception 1966
                                                                                          (Bottom right)
                                                                                           Blue Cross 1965-66
                                                                                           Photo: Cor van Wanrooy
                                                                                                                      (Opposite page)
                                                                                                                        Carel Visser
                                                                                                                   At Each Other 1972
                                                                                                                 Iron 120 X 135x 15 CM.
                                                                                                               Photo: Cor van Wanrooy
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