Page 55 - Studio International - May 1968
P. 55

temple near Calcutta, and show the Hindu gods in   echoing the ovoid. The two linked ellipses make an
             their strangest and most alarming incarnations.   extraordinarily satisfying composition.
             Other work—this time from Bihar—consists of
             pictures from the scrolls which story-tellers con-  At  AGNEW'S  there is a distinguished show of Old
             tinue to show to their audiences. The naive   Masters, with some rarities among them. The two
             strength of design is delightful.        pictures I like best are a Madonna and Child by
                                                      Rosso Fiorentino, which once belonged to Sir
             Just as Harold Hobson has his King Charles's head   Kenneth Clark, and a profile portrait by Berna-
             in the acting of Edwige FeuMere, so I have mine   dine dei Conti. Both are pictures with a slightly
             in the sculpture of Brancusi. The  BROOK STREET   `gamy' flavour—this despite an apparent severity.
             GALLERY  must therefore get a mention for the   The Rosso is boldly designed, but the Child is the
             superb drawing by the master which they have  sick, bald baby of early Mannerism—a strange
             recently had on view in a mixed exhibition of  view of the Christian legend. The profile portrait   Below left Constantin Brancusi
             modern drawings. This is a study for the Nouveau   shows a pale head above an elaborately fringed   Etude Pour 'Le Nouveau NO' (Sleep)  c. 1 91 4-1 5
             Ne (a version of the sculpture was quite recently on   dress. The profile has the brittle elaboration one   Gouache on board, 15 x 21 in.
             the London market). Brancusi treats the child's   sees in the cross-section of a sea-shell.   Brook Street Gallery, London
             head as a metaphor for the egg cracking to release            Edward Lucie-Smith
             the chick. This finished study presents the form at                                Below Boar Incarnation of Vishnu Kalighut c. 1860
             eye-level, with a dark shadow behind it, exactly                                  The Arts Council




























































                                                                                                Far left Henry Fuseli
                                                                                               A woman with a fan standing, seen from the back
                                                                                               1791
                                                                                                pencil with blue, brown, black and pink wash,
                                                                                                 9⅛ x 7⅜  in.
                                                                                                Roland, Browse 8- Delbanco, London
                                                                                                Left Dei Conti A lady
                                                                                                oil on canvas. 29½ x 22½ in.
                                                                                               Agnews, London
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