Page 57 - Studio International - May 1968
P. 57

from the sober spirit which draws together the
             threads of infinity in O'Doherty's enterprise. But
            even Copley's artists are bedevilled by history, and
             by the many troughs in modern art history from
            which we all have fed. The deja vu  is not escaped
            entirely.
             For instance, one of the more elaborate items is an
            envelope containing a correspondence between
            Walter da Maria and Jan van der Marck, director
            of the new Chicago Museum of Contemporary
            Art. Mr Van der Marck is inviting him to partici-
            pate in an exhibition called 'Art by Telephone', an
            idea derived, as he dutifully explains in his letter,
            from Moholy-Nagy's 1922 gesture of ordering by
            telephone five paintings in porcelain enamel from
            a sign factory.
             The artist then ruminates and comes up with a
            project—rather literal but intriguing nonetheless—
            of presenting the public with an unadorned tele-
            phone which, when it rings, they may answer. The
            artist himself would be on the other end, making
            long-distance calls to the extent of the budget the
            museum allots for the project. Shades of Berlin in
            the 1920s.
             This look-back in order to look forward is
            effected by other artists in the portfolio whose
            initial directions were clearly inspired by Marcel
            Duchamp, Kurt Schwitters, Man Ray and count-
            less others, and whose leap forward is not always
            champion-quality broad jumping.
             Nevertheless, in the wilderness our society has
            produced out of the new materials of urban chaos,
            conspicuous waste and bulk mail, the imaginative
            manipulation of generically different materials is
            all to the good in both these publishing ventures.
            What is now called `intermedia' with such dumb
            abandon will perhaps find some definition, and
            therefore meaning, by means of these essays into
            different times and spaces. 	Dore Ashton





















            Two views of the S.M.S. Issue No 1 Jan/Feb 1968
            Su Braden Project for a bridge James Byars
            Black dress Christo Store front Walter da
            Maria Chicago project Richard Hamilton
            A postcard, for mother Julien Levy Pharmaceuticals
            Kasper König My country 'tis of thee Sol
            Mednick Hottentot apron Irving Petlin Cover
            Nancy Reitkopf Luggage labels LaMonte &
            Marian Zazeela Two propositions in black
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