Page 43 - Studio International - February 1971
P. 43

Pre-decimal coins of the Irish Republic
                                                                                               Courtesy: Coins Weekly, London
                                                                                               2, 3 & 4 Postage stamps issued in 1962 to mark
                                                                                               National Productivity Year
                                                                                               Courtesy: GPO, London





























                                                     2
                                                                                               Family gave up collecting pictures in favour of
                                                                                               collecting postage stamps. There is no question
                                                                                               of making an aesthetic choice, and you get a
                                                                                               good return on your money. The whole question
                                                                                               of the value of old postage stamps is surely a
                                                                                               weird comment on the marketing of old
                                                                                               paintings. A lousy old bit of paper that was once
                                                                                               a stamp can now cost more than a biggish bit of
                                                                                               canvas that was, and is, a picture. And what
                                                                                               about the final absurdity that, in stamps,
                                                    3                                          aesthetic demerit increases financial value, that
                                                                                               wrongly printed examples whoop the price up ?

                                                                                               To think of postage stamps is to think of the
                                                                                               National Portrait Gallery, unique among our
                                                                                              national collections in that it depends neither
                                                                                              upon aesthetic merit (the person painted matters
                                                                                              more than the painter), nor on historical sense
                                                                                              (a VIP lounge for the dead, it includes only
                                                                                               Important People, the governors rather than
                                                                                              the governed). And who can think of the
                                                    4                                         National Portrait Gallery without thinking of
                                                                                              Dr Roy Strong, its trendy and puckish
                                                                                              Director ?
                                                                                                 Dr Strong is not particularly noted for any
                                                                                              becoming modesty when the newshounds of the
                                                                                              fashionable press are within earshot. So it was
                                                                                              perhaps easier for him to appear on the platform
                                                                                              of the first meeting of the Campaign Against
                                                                                              Museum Entrance Charges than for the other
                                                                                              directors of publicly-owned galleries who, if
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